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John Taylor ArmsOut of My Window. (Vista; My Own; De Ma Fenêtre)1916
1916
About the Item
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two remnants of glue stains in the right-hand margin, well outside the image. A rich impression printed on cream laid paper. Signed, dated, titled, and numbered '4' pencil by artist.
John Taylor Arms was born in Washington, DC. He studied architecture at the Massachusetts Institute of Technology, Boston, graduating in 1912. After World War I, he devoted himself full-time to etching, the printing process that relies on acid to "bite" out an image drawn on a metal plate.
From his early interest in sketching, Arms developed a successful career as a graphic artist in the 1920s and 1930s. He specialized in etchings of medieval churches and cathedrals, hoping to convey the glory of earlier ages that endured in Europe's architecture. Arms made several trips to France, Spain, and Italy to draw such buildings. Beginning with studies of architectural details, he later rendered entire facades and finally a great number of buildings and their reflections in water, as in The Grand Canal. In addition to his medieval subjects, Arms made a series of prints of American cities. s. Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented “the most significant expression of man’s aspirations.” He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1916
- Dimensions:Height: 7 in (17.78 cm)Width: 5.57 in (14.15 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33529414852
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
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