Items Similar to Rio del Santi Apostoli, Venice.
Want more images or videos?
Request additional images or videos from the seller
1 of 4
John Taylor ArmsRio del Santi Apostoli, Venice.1930
1930
About the Item
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 206. Commission as the frontispiece for the limited edition of American Etchers: John Taylor Arms. A rich impression, one of 18 printed by Henry E. Carling on antique cream laid paper with a shield watermark. Signed, dated, and annotated ' Plate etched as frontispiece for Limited Edition of Volume V of American Etchers Series' and 'cp' (Carling printed) in pencil. and Cities of Northern Italy, p. 206. Commission as the frontispiece for the limited edition of American Etchers: John Taylor Arms. A rich impression, one of 18 printed by Henry E. Carling on antique cream laid paper. Signed, dated, titled and annotated 'trial proof IV' and 'PT' "Peter Platt, printer' Housed in a 20 x 16-inch archival mat, suitable for framing.
The image shows the river and Bridge of the Holy Apostles in Venice.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the American Society of Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933.
John Taylor Arms (1887–1953) is one of the foremost American printmakers of the first half of the 20th century. Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. he spent the majority of his 50-year career documenting Europe’s great Gothic churches. Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented “the most significant expression of man’s aspirations.” He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society."
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the American Society of Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1930
- Dimensions:Height: 8 in (20.32 cm)Width: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33522969171
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2016
724 sales on 1stDibs
Typical response time: 2 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Storrs, CT
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
1930s American Modern Figurative Prints
Materials
Drypoint, Etching
$35,000 Sale Price
30% Off
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof
Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category
1920s American Modern Landscape Prints
Materials
Etching
$1,200 Sale Price
31% Off
From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
1930s American Modern Landscape Prints
Materials
Etching, Aquatint
$1,600 Sale Price
20% Off
Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
$350 Sale Price
53% Off
Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
$400 Sale Price
40% Off
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
$11,000 Sale Price
26% Off
You May Also Like
Wrexham Tower, Yale University
Located in Middletown, NY
Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category
1910s American Modern Landscape Prints
Materials
Etching
$150 Sale Price
25% Off
A Hong Kong Canal Boat
By John Taylor Arms
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Watercolor, Aquatint
Provence, France Fine Art Aquatint Etching - “Legendary Provence"
Located in Soquel, CA
Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick
Beautiful aquatint etching of a sunset over iconic Provence French town, Go...
Category
1970s American Modern Landscape Prints
Materials
Aquatint, Laid Paper
Under Greylock, Etching by Peter Milton
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - )
Title: Under Greylock
Year: 1993
Medium: Intaglio Etching, signed and numbered in pencil
Edition: 175
Image Size: 18.25 x 15 inches
Size: 25 ...
Category
1990s American Modern Landscape Prints
Materials
Etching
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence
Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954
Signed in pencil lower right (see photo)
Edition 250 plis 10 on Rives wove paper, printed by the artist
Published by The Print Club of Cleveland, No. 33 for 1955
REFERENCE: Geske #32
Condition: Mint
Image size: 9 3/16 x 13 1/8 inches
Impressions of this image can be found in the following museums:
National Gallery of Art, Washington
Toledo Museum of Art
Oberlin, Allen Museum of Art
Cornell Univeristy
Cleveland Museum of Art
Indianapolis Museum of Art
Baltimore Museum of Art
Georgetown University
Indiana Univeristy, Eskenazi Museum of Art
David Museum of Art at Wellesley College
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category
1950s American Modern Landscape Prints
Materials
Aquatint
