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John Taylor ArmsSHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA.1930
1930
$2,250
£1,673.62
€1,959.48
CA$3,139.51
A$3,513.20
CHF 1,834.43
MX$43,191.19
NOK 23,143.45
SEK 21,777.87
DKK 14,619.21
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About the Item
Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 inches (sheet). Signed in pencil and inscribed "Edition 100." Fletcher 229. Printed by Henry E. Carling on green laid paper.. In excellent condition. This is Number 16 of Arms' Italian Series. It is illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 208; The Print Collector's Quarterly 21 (1934) at page 136; Fine Prints of the Year, 1931, and Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940. This print. was the Arms submission for his application toThe Royal Society of Painter-Etchers in 1934.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1930
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:1stDibs: LU367314714402
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
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