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Karl Schmidt-RottluffAnimated Autumn Landscape1967
1967
About the Item
KARL SCHMIDT-ROTTLUFF 1884-1976
Rottluff, Germany 1884 - 1976 Berlin (German)
Title: Animated Autumn Landscape Bewegte Herbstlandschaft, 1967
Technique: Signed and Dated Brush, Ink, Gouache, and Watercolour on Wove Paper
Size: 50.1 x 70.3 cm. / 19.7 x 27.7 in.
Additional Information: This painting signed in pencil by the artist "S. Rottluff" at the lower left image.
It is also dated in pencil “67” [1967] in the lower right image.
The work is titled “Bewegte Herbstlandschaft” [Animated Autumn Landscape], verso.
Provenance:
Private Collection, Germany.
Sotheby's, London, 6th February 2014, lot 279. (sold for £40,000 / $ 65,251
Private Collection, Germany.
The work is registered in the archive of the Karl and Emy Schmidt-Rottluff foundation.
- Creator:Karl Schmidt-Rottluff (1884-1976, German)
- Creation Year:1967
- Dimensions:Height: 19.73 in (50.1 cm)Width: 27.68 in (70.3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1809813342
Karl Schmidt-Rottluff
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke (“The Bridge”), united by the goal of creating a modern, intensely emotional style. The artists of Die Brücke typically preferred to portray scenes of urban life, but Schmidt-Rottluff is particularly known for his rural landscapes. He initially painted in an Impressionist style, but his painting Windy Day (1907) shows the artist’s transition to his mature style, which is characterized by flat areas of boldly dissonant colours. A representative example of this mature work is Self-Portrait with Monocle (1910). Like the other Brücke artists, Schmidt-Rottluff had also begun to explore the expressive potential of the woodcut medium. In 1911 Schmidt-Rottluff, with his fellow Die Brücke members, moved to Berlin, where he painted works with more angular, geometric forms and distorted space, revealing his new interest in Cubism and African sculpture. After World War I Schmidt-Rottluff became increasingly interested in religious themes, as seen in the woodcut Head of Christ (1918), which is one of a series of prints about the life of Christ. During the 1920s Schmidt-Rottluff’s work became more subdued and harmonious, losing much of its former vigour and integrity. When the Nazis gained power in Germany, he was forbidden to paint. After World War II he taught art and resumed painting, although he never regained the power of his early works.
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