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Kees van DongenLa Sirène de Paris (Juffermans JL 35), Regards sur Paris, Kees van Dongen1963
1963
$8,396
$10,49520% Off
£6,344.58
£7,930.7320% Off
€7,326.43
€9,158.0420% Off
CA$11,732.14
CA$14,665.1820% Off
A$13,017.80
A$16,272.2520% Off
CHF 6,819
CHF 8,523.7620% Off
MX$159,633.18
MX$199,541.4820% Off
NOK 86,735.38
NOK 108,419.2320% Off
SEK 81,874.50
SEK 102,343.1320% Off
DKK 54,637.81
DKK 68,297.2620% Off
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About the Item
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris; printed by Mourlot Frères, Paris, January 22: 1963. Excerpted from the folio (translated from French), Original lithographs of André Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Marc Chagall, Dunoyer de Segonzac, André Masson, Pablo Picasso, Kees van Dongen, Jacques Villon. Printed completed on January 22: 1963 on the presses de l'Imprimerie Nationale de France, Daniel Gibelin, director. Georges Arnoult, inspector of typography. This work was composed by hand in characters called "Romain du Roi Corps” engraved in 1699 by Grandjean on the order of Louis XIV, the original lithographies were drawn by Mourlot Frères, and the stones erased after printing. Justification of the draw; one hundred and eighty examples on a grand vélin d'Arches décomposant as follows: ten examples, numbered to the press from 1 to 10, including a sequel on japon nacré, the original lithographies signed by the artists and a sequel on Arches; twenty examples, numbered to the press from 11 to 30, including a suite on Arches of the original lithographies; one hundred and twenty examples, numbered from 31 to 150; thirty non-trade examples, marked H.C., reserved for the authors, artists and artisans of the folio. All colophons are signed by the ten authors and the ten artists.
KEES VAN DONGEN (1877–1968), born Cornelis Theodorus Maria 'Kees' van Dongen (1877 –1968) was a Dutch-French painter who was one of the leading Fauves. Fauves was coined by art critic Louis Vauxcelles for the group of artist that used bright colors. By 1905 he had left the influence of his training and symbolism style to become more controversial by exhibiting at the Salon d’Automne exhibit with a more radical form and color. His most important period is considered to be 1905-1920 where he focused on dancers, singers, masquerades, theater and all types of after-hours life. When he started to exhibit in Paris with Matisse, Derain, Marquet, Vlaminck, Camoin and Puy, he moved into a more avante-garde styling. Other artist that were moving to this form included, i Vlaminck, Friesz, Rousseau, Delaunay, Marquet, and Vuillard. These painters all felt the need to renew their methods of painting. Van Dongen (married to Augusta Preitinger by now) moved to Montmartre in 1906 where he was part of Pablo Picasso’s circle. He sold paintings, did sketches for a newspaper and held costume balls which he charge admission for all to make money. It was after the World War I that he started to create the lush colors of his Fauvist style. This helped cement a reputation in the upper class of France where he had a demand for his portraits. By 1959, Kees van Dongen was not living Monaco. Nine years later he would die. A large part of his work is held by the New National Museum of Monaco.
- Creator:Kees van Dongen (1877-1968, Dutch)
- Creation Year:1963
- Dimensions:Height: 15.5 in (39.37 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215332692
Kees van Dongen
The Dutch painter Kees van Dongen began his career as a poor young artist with no formal training who happened to encounter art by chance. Van Dongen’s distinctive style later earned him a place amongst the most fashionable artists of his generation. He was particularly famous in Paris during the 20s and 30s and was best known for depicting the modern woman. At the beginning of his career, van Dongen painted dancers and cabaret girls. Eventually, he moved to a studio, where he would host parties and balls and began to paint society women.
Van Dongen’s work can be found in the world’s most prestigious collections, such as the Musée d’Art Moderne de la Ville de Paris, the Hermitage in Saint Petersburg, the Museo Thyssen-Bornemisza of Madrid, the Museum of Modern Art in New York or the Stedelijk Museum in Amsterdam.
(Biography provided by Stern Pissarro Gallery)
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