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Luc-Albert MoreauJardins de Paris, A La gloire à Paris, Luc-Albert Moreau1937
1937
$716
$89520% Off
£531.67
£664.5820% Off
€624.42
€780.5220% Off
CA$996.16
CA$1,245.1920% Off
A$1,115.30
A$1,394.1220% Off
CHF 584.79
CHF 730.9820% Off
MX$13,780.19
MX$17,225.2420% Off
NOK 7,368.68
NOK 9,210.8520% Off
SEK 6,955.74
SEK 8,694.6720% Off
DKK 4,658.92
DKK 5,823.6420% Off
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About the Item
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album.
LUC-ALBERT MOREAU (1882-1948) was a French painter. His work was part of the painting event in the art competition at the 1948 Summer Olympics..
- Creator:Luc-Albert Moreau (1882 - 1948, French)
- Creation Year:1937
- Dimensions:Height: 13.5 in (34.29 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465214879602
Luc-Albert Moreau
Luc-Albert Moreau is a French painter, engraver and illustrator. He was a member of the group Bande Noire, and later also a member of the Section d'Or. He attended the Académie Julian in Paris, and he painted at the Jean-Paul Laurens’s studio, where he became a friend of Jean-Louis Boussingault and André Dunoyer de Segonzac. For a brief period, he attended Charles Guérin, Georges-Pierre Olivier Desvallières, and Pierre Laprade’s lessons at the Académie de la Palette. Moreau took part in the Great War, fighting in Verdun, in Chemin des Dames and Picardy. Wounded several times, he was marked indelibly by the horrors of war. These horrors, remembrances of war and terrible shocks became the thematic fulcrum of his inspiration until 1925, when he came back to St. Tropez he began to paint still lifes, portraits, landscapes and finally he discovered a clear palette. In 1947, Moreau designed the costumes for Khamma by Claude Debussy, donated to the Théatre de l’Opéra-Comique.
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