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Robert Kipniss
House & Leaves.

2014

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  • Crossings
    By Frederick Mershimer
    Located in New York, NY
    CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...
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  • Niagara
    By Frederick Mershimer
    Located in New York, NY
    NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...
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    21st Century and Contemporary American Realist Landscape Prints

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  • Chair & rooftoop
    By Robert Kipniss
    Located in New York, NY
    “Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...
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  • Evening II
    By Robert Kipniss
    Located in New York, NY
    "Evening II" is a mezzotint engraving created by Robert Kipniss in 2008. Printed in an edition of 60, this impression is signed in pencil and inscribed “8/60.” The paper size is 12...
    Category

    21st Century and Contemporary Modern Landscape Prints

    Materials

    Mezzotint

  • Circus Night.
    By Martin Lewis
    Located in New York, NY
    Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...
    Category

    1930s Realist Landscape Prints

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  • Hidden Cities I / second state
    By Peter Milton
    Located in New York, NY
    “Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
    Category

    21st Century and Contemporary American Realist Landscape Prints

    Materials

    Engraving, Etching

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    Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...
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  • Mezzotint Etching Botanical Print 'Mantle' Signed AP Jungle Image
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  • Desolate Landscape - Mezzotint by Michel Estèbe - Late 1900
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