Massimo Vitali

Massimo Vitali "Picnic Allee" Lithograph Artist's Proof

2006

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

Untitled, from Knokke Beach Polyptych, from A Portfolio of Landscapes with Figures, 2002 Offset lithograph in colors on smooth wove paper Artist's Proof 10/20, sheet # 40. Stamped w...

Christo (Bulgarian, 1935-2020) The Umbrellas (Joint Project for Japan and USA), 1991 (Blue) Offset lithograph on wove paper, Signed in crayon lower righ...

Christo Javacheff (1935-2020) The Gates XV, 2005 Project for Central Park, NYC Offset lithograph in colors on wove paper Signed lower left Published by Kunstverlag Schumacher GmbH, Dusseldorf and NYGS Sheet: 10.5in H x 12.25in L Christo and Jeanne-Claude designed and installed 7,503 "gates" with saffron-colored fabric panels. The exhibit ran from February 12, 2005 through February 27, 2005 along 23 miles of pathways in Central Park in New York City. The Gates alludes to the tradition of Japanese Shinto torii gates similar to the paths of the Fushimi Inari...

Yoshi Toshida (Japanese, 1911-1995), Monument Valley, 1971 Woodblock in colors Pencil signed lower right, titled lower left. Dated and titled in Japanese left margin. Image: 11.75 x ...

Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the wo...

Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in graphite pencil on the front Published by Brooke Alexander, New York and Galerie Biedermann, Munich, Germany; Printer: Deli Sacilotto...

"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...

These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...