Etching Landscape Prints

Winter landscape of an orchard with hints of a cityscape in the background, also architectural detail in the ground beneath. Signed, numbered and titled from the edition of 200. Smi...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition ACPI © 1999 John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Piazza della Minerva - Rome  is an artwork realized in the  1970s  by  Giuseppe Malandrino . Original B.W. etching print. Hand-signed by the artist in pencil on the lower right cor...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Flamenco Flamingo [2014] limited_edition and hand signed by the artist Etching/aquatint Edition number 100 Image size: H:46cm cm x W:31cm cm Complete Size of Unframed Work: H:56cm c...

Mychael Barratt Yayoi Kasuma’s Dog Limited Edition Etching Edition of 100 Image Size: H 21.5cm x W 22cm Sheet Size: H 40cm x W 38cm Signed and titled Sold...

Mychael Barratt Anish Kapoor’s Dog Limited Edition Etching Edition of 100 Sheet Size: H 40cm x W 38cm Signed and titled Sold Unframed Please note that in situ images are purely an in...

Abstract patterns from reflections in water. Signed, titled and numbered from edtion of 120. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a s...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Medium: Etching Edition of 120 Year: 1976 ImageSize: 4.5 x 5.5 inches Signed, titled and numbered etching from the edition of 90. An view Saint Jerome writing in his cave, with his ...

Venice is an Etching realized by Gian Paolo Berto in 1974. Hand signed, dated, and numbered by the artist with pencil on the lower right corner. Edition of 50. Good condition. Gia...

The Pacific Coast Highway winding up the iconic Big Sur Coast in California. In the distance is Bixby Bridge. Signed, titled and nubmered by the artist. Medium: etching and aquatin...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

"Divide" black and white soft ground etching and aquatint by April Gornik. Edition 23 of 30. Image size: 33 1/2 x 31 1/2 inches. Published by The S...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Medium: Etching Edition of 90 Year: 1974 ImageSize: 16 x 12.5 inches Signed, titled and numbered etching from the edition of 90. An humorous look at Adam surrounded by the animals h...

Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

"Bajo el Volcan" Etching and Aquatint on Archival Paper, Limited Edition X/XXII Dramatic etching by Jorge Martínez García (Chilean, b. 1963). A mountain range rises into a cloudy sk...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Signed, titled and numbered from the edition of 200. Lily pads and the sky reflected in a quiet lake, inspired by canoe trip at Lake Terrell in Ferndale, Washington on a warm summer afternoon. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillans etchings and aquatint prints capture the landscapes of California...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...

Signed, titled and numbered aquatint print. In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the nativ...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

This is a one of a kind aquatint printed in rich blacks. The image is 12 x 12 and is printed on a 20 x 20 piece of paper. The image depicts large trumpet flowers in a garden with d...

Beth Ganz, 'Mount Fuji, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Beth Ganz, 'Mount St. Elias, Yukon, Alaska', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Saint Elias, the second-highest mountain in Canada and the United States stands on the Yukon and Alaska border about 26 miles (42 km) southwest of Mount Logan, the highest mountain in Canada. The Canadian side of Mount Saint Elias forms part of Kluane National Park and Reserve, while the U.S. side is within Wrangell-St. Elias National Park and Preserve. Mount Saint Elias is notable for its immense vertical relief. Its summit rises 18,008 feet (5,489 m) vertically in just 10 miles (16 km) horizontal distance from the head of Taan Fjord, off of Icy Bay. The name of the mountain in Tlingit (indigenous peoples of the Pacific Northwest Coast of North America), Yasʼéitʼaa Shaa, means "mountain behind Icy Bay"; the Yakutat Tlingit occasionally call it Shaa Tlein "Big Mountain". It is one of the most important crests of the Kwaashkʼiḵwáan clan, who used it as a guide during their journey down the Copper River. Mount Fairweather, at the apex of the British Columbia and Alaska borders at the head of the Alaska Panhandle, is known as Tsalx̱aan; legend states that this mountain and Yasʼéitʼaa Shaa (Mt. St. Elias) originally stood next to each other, but had an argument and separated. Their children, the mountains between the two peaks, are called Tsalx̱aan Yátxʼi ("Children of Tsalxaan"). European explorers first sighted the mountain on July 16, 1741, with the arrival of the expedition commanded by Vitus Bering, a Danish explorer in service of Russia. While some historians contend that Bering named the mountain, others believe that eighteenth-century mapmakers named it after Cape Saint Elias when Bering left the peak unnamed. Mt. St. Elias was first climbed on July 31, 1897, by an Italian expedition led by famed explorer Prince Luigi Amedeo, Duke of the Abruzzi (who also reconnoitered the current standard route on K2 in 1909) and included noted mountain photographer Vittorio Sella. In 2007 Gerald Salmina directed an Austrian documentary film, Mount St. Elias, about a team of skiers/mountaineers determined to make "the planet's longest skiing descent" by ascending the mountain and then skiing nearly all 18,000 feet down to the Gulf of Alaska; the movie finished editing and underwent limited release in 2009. The climbers ended up summiting on the second attempt and skiing down to 13,000 ft (3,960 m). ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...

Winter landscape of an orchard with hints of a cityscape in the background, also architectural detail in the ground beneath. Signed, numbered and titled from the edition of 200. Smi...

Donald Baechler, Ice Cream Cone, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching an...

View of Avellino is a print realized by Tommaso Piroli in the mid-19th century. Etching Hand-watercolored on paper. Signed and titled on the plate. Good conditions with foxing

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Signed, titled and numbered from the edition of 200. Lily pads and the sky reflected in a quiet lake, inspired by canoe trip at Lake Terrell in Ferndale, Washington on a warm summer afternoon. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillans etchings and aquatint prints capture the landscapes of California...

Signed, titled and numbered aquatint print. This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...

Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

Signed and numbered. View of reflections of boats in a marina. Signed, titled and numbered from the edition of 120. Born in Berkeley, California, on December 21, 1949, he was raised...

Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching. François Houtin was...

Signed, titled and numbered by the artist. This print was an hommage to the architect Louis Sullivan, done after a trip to Chicago. With the same elaborate fantasy garden scenery, th...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Signed, titled and numbered by the artist. This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden hut...

Vitaly was considered an up and coming artist in his native Ukraine, after years of training under one of the Ukraine’s greatest graphic artists...

A set of nine prints. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deit...

Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...

A young Moon occurs between a new Moon and waxing crescent, when the first slivers of illumination appear. The Moon has had an importance in human culture since the dawn of history ...

The first visible phase after the New Moon. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deity and count...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group survey of rising modernist architects, Graves, along with Richard Meier, Charles Gwathmey, Peter Eisenman...

Signed, titled and numbered from the edition of 120. A November walk from Cambria led the artist to a patch of ice plant on a bluff in the local preserve, Fiscalini Ranch. These succ...

The Pacific Coast Highway winding up the iconic Big Sur Coast in California. In the distance is Bixby Bridge. Signed, titled and nubmered by the artist. Medium: etching and aquatin...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...

Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120.. Born in Berkeley...

The first visible phase after the New Moon. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deity and count...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

How Many Miles to Babylon, 1989 Paula Rego Etching with aquatint, on velin Arches Signed and inscribed ‘A/P’, apart from the edition of 50 From Nursery Rhym...

The Domes is a modern artwork realized by Felice Ludovisi in 1968. China and penmarker drawing on paper. Hand signed and dated on the lower margin. ...

This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden huts or cabanes in wilderness setting. The pr...

Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...

Jane Peart Forest Glen Limited Edition Etching Print Edition of 100 Image Size: H 24cm x W 34cm Signed Sold Unframed Please note that in situ images are purely an indication of how ...