Lithograph Landscape Prints

Color lithograph with pochoir, Edition25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills. In Susan's latest prints Solitary Oak and As the Moon Rises...

Original Gladiator Cycles. Artist: Gaston Noury. Stone lithograph that has professional archival linen backing. Size: 36" 49". C. 1889. Stone lithograph. Very good condition; ready to frame. The Gladiator Cycle Company, Clément-Gladiator (from 1896), was a French manufacturer of bicycles. The inside of all of the bicycle rims are done in gold or gold foil. Gold is also used in the flowers around the big ring that reads Gladiator. It doesn’t appear that this early bicycle had any brakes, so she may need that angel resting on her shoulder! Fold marks restored during linen backing, ready to frame. There is some waves at the bottom right, but no paper loss or damage. Antique bicycle posters have been and will be very collectible. This original Gaston Noury original stone lithograph is now challenging to find in any condition. Original linen-backed turn-of-the-century antique vintage bicycle...

Landscape is a lithograph attributed to Nicholas Verrall in the 1980s. Hand-signed. Numbered, Edition, 9/99. Very Good conditions. The artwork is ...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'. A vibrant Artist's Proof, stone lith...

Artist: Peter Max (1937) Title: Vase of Flowers XI Year: 2001 Edition: 451/500, plus proofs Medium: Lithograph on archival paper Size: 11 x 9 inches Condition: Excellent Inscription:...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1/2" x 17 1/2" Sheet Size: 15" x 11" Signe...

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

THis is a fabulous, Surrealist lithograph in bright fauvist colors by Hasidic mystic Boruch Nachshon It depicts jerusalem with King David and a menorah in a Jerusalem Landscape. Bar...

Artist: Alexander Calder Medium: Lithograph Title: Red and Blue Spheres Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1...

Original linen-backed horizontal format vintage poster "AFRIQUE OCCIDENTALE FRANCAISE" lithograph. Poster for French West Africa Agency France d'Outre-Mer 1955. The poster has vignettes showing some African agriculture, oil along one side, local fruits and foods along the bottom, and stylized statues on left and right, harps, clay pots, drums with the maps of West Africa map...

Original EXPRESS Chemins de Fer Francais vintage travel French poster. SNCF French railroad poster. Professionally backed on acid-free archiv...

Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'. Georges Lambert first stu...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'. Georges Lambert first studied in Paris at the Academie de la Gra...

Landscape is an original lithograph on cardboard, realized by Mario Sportelli in 1980s. The state of preservation is very good. Hand-signed on the lower right Edition of 100 copi...

Figure is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, ...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Landscape is an original lithograph on cardboard, realized by Mario Sportelli. The state of preservation is very good. Hand-signed on the lower right Artist's proof. Sheet dimens...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Mountains of Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Landscape is an original lithograph on paper realized by Albert Baertsoen in 1892. Titled on the lower center. Signed on the plate lower right, date...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Landscape' and inscribed lower left, number and limitation, 'XV/LX' (15/60). Georges Lambert first st...

Eduardo Arroyo - Malraux - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37.3 x 29 cm Handsigned and numbered Editions: Trinckvel

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourmarin' with inscription 'Last copy'. Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...

Seasons Quartet III Lithograph AP 6 Yellow. The fine French paper BFK Rives is 30 X 22 inches and the image is 17 X 17. The signed Artist Proof 6 lithograph depicts Sebastian Spreng...

Image dimensions: 45.5x32 cm. Hand signed. Artist's proof. Trimmed margins. Very good conditions.

"Pensive" is a Limited Edition Lithograph (209/500) from the artist RINA SUTZKEVER (Russian, b. 1945). It measures 10 x 8.5 inches and is unframed. The ...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also presents paintings, prints and sculpture by Southwestern luminary, DAN NAMINGHA....

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: EA 14/20 Hand Signed and Numbered Charles Lapicque was one of the great painters of the “Ecole de Paris...

Eduardo Arroyo - Homage to Le Corbusier - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Color lithograph. Edition 30. Claire Sherman is a painter who made her first lithographs at Shark’s in the summer of 2018 including the prints Underbrush and Tree and Water. Her p...

Lively French lithograph of sunflower field with multiple tones of yellows, orange, red, and while sunflowers, circa 1960. Original artwork on paper ...

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...