Stencil Landscape Prints

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes III (Fauns and Flora of Antibes III), from the folio, Picasso, Faunes et Flore...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bal (The Ball), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the F...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte sur un gueridon (Still Life on a Pedestal Table) captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition deconstructs the still life into interlocking planes of form and color, juxtaposing bottles, glasses, and fruit with rhythmic abstraction. Through his fragmented geometry, Picasso transforms a familiar tabletop scene into a meditation on space and perception, fusing intellect and emotion in perfect equilibrium. The work stands as a testament to Picasso’s collaboration with master printer Daniel Jacomet, whose meticulous pochoir technique preserved the artist’s tonal subtleties and chromatic richness with unparalleled precision. Executed as a lithograph and pochoir on velin paper, this work measures 8.27 x 10.83 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 8.27 x 10.83 inches (21 x 27.5 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte sur un gueridon, Picasso L'Art Cubiste, Picasso Atelier...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes I (Fauns and Flora of Antibes I), from the folio, Picasso, Faunes et Flore d'A...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs (Flowers), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the Fr...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes II (Fauns and Flora of Antibes II), from the folio, Picasso, Faunes et Flore d...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jeune faune, femme et enfant (Young Faun, Woman and Child), from the folio Picasso, La flute double, 16 ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte au fond rouge (Still Life with Red Background), from the folio Eaux-de-vie, Esprit de la fleur et du fruit...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes IX (Fauns and Flora of Antibes IX), from the folio, Picasso, Faunes et Flore d...

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme nue couchee et joueur de flute (Reclining Nude Woman and Flute Player), from the folio Picasso, La...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

This exquisite lithograph and pochoir after Juan Gris (1887–1927), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Ar...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs des champs (Wildflowers), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Fl...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio &q...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage du Midi (Southern Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of t...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...