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Stencil Landscape Prints

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Style: Impressionist
Medium: Stencil
Paysage de l'Arbre Bleu, Impressionist Lithograph w/ Pochoir after Andre Derain
Located in Long Island City, NY
Andre Derain, After, French (1880 - 1954) - Paysage de l'Arbre Bleu from Douze Contemporains, Year: 1959, Medium: Lithograph with Pochoir on Wove paper, signed in the plate, Editio...
Category

1950s Impressionist Stencil Landscape Prints

Materials

Stencil, Lithograph

Related Items
Dust Time, large lithograph
Located in San Francisco, CA
Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...
Category

Late 20th Century American Impressionist Stencil Landscape Prints

Materials

Lithograph

Dust Time, large lithograph
Dust Time, large lithograph
$1,200
H 31.5 in W 44 in D 0.01 in
San Francisco Golden Pavilion Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Tony Bennett Title: San Francisco Golden Pavilion Lithograph Signed and Marked PP  2/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...
Category

1990s American Impressionist Stencil Landscape Prints

Materials

Lithograph

Petit Luberon II (Little Luberon II)
Located in San Francisco, CA
Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...
Category

Early 2000s Impressionist Stencil Landscape Prints

Materials

Paper, Lithograph

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist Stencil Landscape Prints

Materials

Paper, Ink, Lithograph

Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category

1930s Impressionist Stencil Landscape Prints

Materials

Paper, Drypoint, Lithograph

Lake Fog
Located in Palm Springs, CA
Lake fog Year: circa 1928-1932 Medium: lithograph Pencil signature, numbered 6 Image size: 9 9/16 x 11 7/16 Harold Keeler was born in Denver, Colorado in 1905. He studied at both th...
Category

1920s American Impressionist Stencil Landscape Prints

Materials

Lithograph

Lake Fog
Lake Fog
$400
H 9.57 in W 11.44 in
Four Walking Figures
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...
Category

Late 20th Century American Impressionist Stencil Landscape Prints

Materials

Lithograph

Four Walking Figures
Four Walking Figures
$900
H 20.15 in W 25 in D 1.25 in
Switch Engines, Erie Yards, Jersey City, Stone No. 3
Located in New York, NY
Reginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...
Category

1940s American Impressionist Stencil Landscape Prints

Materials

Lithograph

French Cruiser
Located in New York, NY
Childe Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...
Category

1910s American Impressionist Stencil Landscape Prints

Materials

Lithograph

NATURE MORTE AUX TROIS POMMES
Located in Aventura, FL
Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...
Category

Late 20th Century Impressionist Stencil Landscape Prints

Materials

Lithograph

NATURE MORTE AUX TROIS POMMES
$600 Sale Price
50% Off
H 23.5 in W 35.5 in
Evening Light
Located in San Francisco, CA
This artwork titled "Evening Light" 1993 is a large original color lithograph on Arches paper by noted California artist Clark Mitchell, b.1951. It is hand signed, dated, titled and numbered 6/20 SI in pencil by the artist.The image size is 23.25 x 35 inches, sheet size is 29.25 x 40 inches. It is in excellent condition, has never been framed. About the artist. Born In Denver, Colorado - January 19, 1951 Growing up in the shadow of the Rockies, Clark Mitchell very early discovered a love of the natural world. Given a set of fine old German pastels by his father when quite young, he quickly embraced the medium for its ease of handling, brilliance of color and portability. He received a bachelor’s degree in art from Colorado College in the seventies and moved to San Francisco to continue his studies at the Academy of Art College. Through personal exploration as well as study with artists Albert Handell, Skip Whitcomb, Michael Lynch...
Category

Late 20th Century American Impressionist Stencil Landscape Prints

Materials

Lithograph

Evening Light
Evening Light
$600
H 29.25 in W 40 in D 0.01 in
Afternoon
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...
Category

Late 20th Century American Impressionist Stencil Landscape Prints

Materials

Lithograph

Afternoon
Afternoon
$700
H 18.25 in W 14.85 in D 1.25 in
Previously Available Items
'Skaters' — 1930s Woodstock, New York
Located in Myrtle Beach, SC
Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design. In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press. In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928. In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
Category

1930s American Impressionist Stencil Landscape Prints

Materials

Gouache, Stencil

Autumn — Woodstock, NY
Located in Myrtle Beach, SC
Emil Ganso, 'Autumn', color pochoir (stencil), c. 1930s, edition 50, Smith S-2. Signed in pencil, in the image border, lower right. Annotated '7 Stencil Print ED 50' in pencil, in the image border, lower left. A rich, painterly impression, with fresh colors, on buff wove paper, with full margins (1 1/2 to 1 3/4 inches). Slight rippling at the top and bottom sheet edges; overall toning verso not affecting the image; otherwise in good condition. Image size 10 3/4 x 14 7/8 inches; sheet size 13 3/4 x 18 1/4 inches. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime. Mostly self-taught, he studied briefly at the National Academy of Design. In 1924 Ganso showed his drawings to Carl Zigrosser at the Weyhe Gallery, who organized the artist’s first solo exhibition. Soon after that, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Ganso produced prints in many mediums, including relief, pochoir (stencil), lithography, and intaglio. His expressionist approach to printmaking was that of a painter, rather than a draftsman, but many of his graphic works exhibited technical sophistication. He also began experimenting with color lithography in the late 1920s, and he collaborated with an engineer to design and fabricate an innovative etching press. In 1926 Ganso attended the summer session of the Art Students League in Woodstock, New York, where he met Jules Pascin. The two artists began a close friendship briefly sharing a studio, and Ganso followed Pascin to Europe in 1928, where he was exposed to progressive European art movements and advanced printmaking techniques. Ganso returned to New York in 1926 and his work was shown regularly in group exhibitions. In the summer months, he continued to work in Woodstock, where he frequently printed lithographs for other artists. The Cleveland Print Club...
Category

1930s American Impressionist Stencil Landscape Prints

Materials

Gouache, Stencil

Bathers in a Landscape and Studies - Lithograph and Stencil Watercolor, 1947
Located in Paris, IDF
Paul CEZANNE (after) Bathers in a Landscape and Studies Lithograph and Stencil watercolor (printed in Jacomet workshop) After a watercolor painted c. 1900 On heavy paper 20 x 24 cm ...
Category

1940s Impressionist Stencil Landscape Prints

Materials

Watercolor, Lithograph, Stencil

Stencil landscape prints for sale on 1stDibs.

Find a wide variety of authentic Stencil landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include (after) Maurice Utrillo, After Paul Cezanne, Salvador Dalí, and Emil Ganso. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil landscape prints, so small editions measuring 0.01 inches across are also available

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