Stencil Landscape Prints
to
1
1
Overall Width
to
Overall Height
to
271
45
1
1
1
1
1
1
1,109
247
171
167
167
1
1
Style: Impressionist
Medium: Stencil
Paysage de l'Arbre Bleu, Impressionist Lithograph w/ Pochoir after Andre Derain
By André Derain
Located in Long Island City, NY
Andre Derain, After, French (1880 - 1954) - Paysage de l'Arbre Bleu from Douze Contemporains, Year: 1959, Medium: Lithograph with Pochoir on Wove paper, signed in the plate, Editio...
Category
1950s Impressionist Stencil Landscape Prints
Materials
Stencil, Lithograph
$1,350 Sale Price
25% Off
Related Items
The Nymphs in Giverny - Lithograph - 300 copies
By Claude Monet
Located in Paris, IDF
Claude MONET (after)
The Nymphs in Giverny
Lithogrpah after a painting
Printed signature in the plate
Number / 300 copies
On vellum 30 x 59 cm (c. 12 x 24 in)
Excellent condition
Category
Late 20th Century Impressionist Stencil Landscape Prints
Materials
Lithograph
Duck Pond
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Duck Pond
Year: circa 1980
Medium: Original color lithograph
Edition: 285. This one: 29/285 in pencil
Paper: Arches
Image size...
Category
Late 20th Century American Impressionist Stencil Landscape Prints
Materials
Lithograph
Grand Canyon of Arizona from Hermit Rim, Vintage 1912 Chromolithograph
By Thomas Moran
Located in Denver, CO
The Grand Canyon in Arizona from Hermit Rim by Thomas Moran. Early 20th century vintage color lithograph printed in 1912, signed and dated within plate lower left, titled lower cent...
Category
1910s American Impressionist Stencil Landscape Prints
Materials
Lithograph, Color
$8,400 Sale Price
20% Off
H 41.75 in W 49.5 in D 0.75 in
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Chesterfield, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
1860s Impressionist Stencil Landscape Prints
Materials
Lithograph
$128 Sale Price
20% Off
H 15 in W 19.5 in
Tapestries II
Located in Chesterfield, MI
Floral design extraordinaire! This is a lithograph of an original watercolor signed by Palo Verdes, California artist Dian Clapp Bartz.
Category
Late 20th Century American Impressionist Stencil Landscape Prints
Materials
Lithograph
"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting.
Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W.
Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America.
In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives.
A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category
Late 19th Century American Impressionist Stencil Landscape Prints
Materials
Cardboard, Lithograph
$395
H 12.75 in W 10.75 in D 1.25 in
Litografia sobre papel - Pasajes de Barcelona - Tiraje: 12/250
Located in Sant Celoni, ES
Firmada a lápiz por el artista en la parte inferior y con tiraje 12/250
En buen estado de conservación
Sin enmarcar
Medidas: 49 cm x 58 cm.
Category
1960s Impressionist Stencil Landscape Prints
Materials
Lithograph
$356
H 19.3 in W 22.84 in D 0.4 in
Les Courses -L'obstacle/de coté Horse Race, Pointillist style Equestrian print
Located in Spokane, WA
Colorful Lithograph of Horse Race – Jockey on Norse No. 6 by Serge Medjisky, original poster: Linen-backed printer's proof without text of the horse race. In the lower right are the ...
Category
1970s Impressionist Stencil Landscape Prints
Materials
Lithograph
Serge MendjiskyLes Courses -L'obstacle/de coté Horse Race, Pointillist style Equestrian print, 1970s
$300
H 19 in W 26 in D 0.2 in
Overlooking Amalfi
Located in Chesterfield, MI
"Overlooking Amalfi" is a lithograph on paper signed by the artist Howard Behrens. It is a limited edition and numbered 20/25. There is some evidence of wear, but only on the borde...
Category
20th Century American Impressionist Stencil Landscape Prints
Materials
Lithograph
Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Located in Soquel, CA
Detailed hand colored landscape lithograph of a stone bridge in the countryside by an unknown European artist. Signed "Clym" in the lower right corner. Nu...
Category
Mid-20th Century Impressionist Stencil Landscape Prints
Materials
Paper, Color Pencil, Drypoint, Lithograph
$438 Sale Price
35% Off
H 18 in W 23 in D 0.13 in
NATURE MORTE AUX TROIS POMMES
Located in Aventura, FL
Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...
Category
Late 20th Century Impressionist Stencil Landscape Prints
Materials
Lithograph
Sitting on a Park Bench - Figurative Landscape Lithograph
Located in Soquel, CA
Lithograph of a person sitting on a park bench by Mercado (20th Century). Signed by the artist in pencil in the lower right corner ("Mercado 69"). Numbere...
Category
1960s American Impressionist Stencil Landscape Prints
Materials
Paper, Lithograph
$308 Sale Price
35% Off
H 12 in W 11.5 in D 1.5 in
Previously Available Items
'Skaters' — 1930s Woodstock, New York
By Emil Ganso
Located in Myrtle Beach, SC
Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches.
An impression of this work is in the permanent collection of the Philadelphia Museum of Art.
ABOUT THE ARTIST
Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design.
In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League.
Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press.
In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928.
In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
Category
1930s American Impressionist Stencil Landscape Prints
Materials
Gouache, Stencil
Autumn — Woodstock, NY
By Emil Ganso
Located in Myrtle Beach, SC
Emil Ganso, 'Autumn', color pochoir (stencil), c. 1930s, edition 50, Smith S-2. Signed in pencil, in the image border, lower right. Annotated '7 Stencil Print ED 50' in pencil, in the image border, lower left. A rich, painterly impression, with fresh colors, on buff wove paper, with full margins (1 1/2 to 1 3/4 inches). Slight rippling at the top and bottom sheet edges; overall toning verso not affecting the image; otherwise in good condition. Image size 10 3/4 x 14 7/8 inches; sheet size 13 3/4 x 18 1/4 inches. Matted to museum standards, unframed.
An impression of this work is in the permanent collection of the Philadelphia Museum of Art.
ABOUT THE ARTIST
Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime. Mostly self-taught, he studied briefly at the National Academy of Design.
In 1924 Ganso showed his drawings to Carl Zigrosser at the Weyhe Gallery, who organized the artist’s first solo exhibition. Soon after that, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League.
Ganso produced prints in many mediums, including relief, pochoir (stencil), lithography, and intaglio. His expressionist approach to printmaking was that of a painter, rather than a draftsman, but many of his graphic works exhibited technical sophistication. He also began experimenting with color lithography in the late 1920s, and he collaborated with an engineer to design and fabricate an innovative etching press.
In 1926 Ganso attended the summer session of the Art Students League in Woodstock, New York, where he met Jules Pascin. The two artists began a close friendship briefly sharing a studio, and Ganso followed Pascin to Europe in 1928, where he was exposed to progressive European art movements and advanced printmaking techniques.
Ganso returned to New York in 1926 and his work was shown regularly in group exhibitions. In the summer months, he continued to work in Woodstock, where he frequently printed lithographs for other artists. The Cleveland Print Club...
Category
1930s American Impressionist Stencil Landscape Prints
Materials
Gouache, Stencil
Bathers in a Landscape and Studies - Lithograph and Stencil Watercolor, 1947
Located in Paris, IDF
Paul CEZANNE (after)
Bathers in a Landscape and Studies
Lithograph and Stencil watercolor (printed in Jacomet workshop)
After a watercolor painted c. 1900
On heavy paper 20 x 24 cm ...
Category
1940s Impressionist Stencil Landscape Prints
Materials
Watercolor, Lithograph, Stencil
Stencil landscape prints for sale on 1stDibs.
Find a wide variety of authentic Stencil landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include (after) Maurice Utrillo, After Paul Cezanne, Salvador Dalí, and Emil Ganso. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil landscape prints, so small editions measuring 0.01 inches across are also available