Items Similar to Maurice de Vlaminck, Chatou with the Red Tree, from Vlaminck, 1958 (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Maurice de Vlaminck, Chatou with the Red Tree, from Vlaminck, 1958 (after)1958
1958
$716
$89520% Off
£554.84
£693.5420% Off
€629.63
€787.0320% Off
CA$1,026.21
CA$1,282.7720% Off
A$1,126.98
A$1,408.7320% Off
CHF 580.13
CHF 725.1620% Off
MX$13,484.69
MX$16,855.8620% Off
NOK 7,386.31
NOK 9,232.8920% Off
SEK 6,922.07
SEK 8,652.5920% Off
DKK 4,702.30
DKK 5,877.8820% Off
About the Item
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur, Monte Carlo; rendered by Charles Sorlier, Paris under the supervision of Maurice de Vlaminck, Paris; and printed by Mourlot Freres, Paris, April 7, 1958. Chatou à l'arbre rouge captures Vlaminck’s Fauvist brilliance, depicting the vivid landscape of Chatou animated by the striking contrast of a red tree against a luminous sky, reflecting his mastery of emotional color and dynamic form.
Executed as a lithograph in fifteen colors on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 9.5 x 12.25 inches overall; 6.7 x 8.3 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and the exceptional production standards of Editions Andre Sauret, Monte Carlo.
Artwork Details:
Artist: After Maurice de Vlaminck (1876–1958)
Title: Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck
Medium: Lithograph in fifteen colors on grand velin Renage filigrane a la marque de l'editeur paper
Dimensions: 9.5 x 12.25 inches overall; 6.7 x 8.3 inches image (24.13 x 31.11 cm overall; 17.02 x 21.08 cm image)
Inscription: Signed in the plate and unnumbered as issued
Date: 1958
Publisher: Andre Sauret, Editeur, Monte Carlo
Printer: Mourlot Freres, Paris; rendered by Charles Sorlier, Paris, under the supervision of Maurice de Vlaminck, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Vlaminck, published by Andre Sauret, Editeur, Monte Carlo, 1958
Notes:
Excerpted from the album (translated from French), This album, directed by Andre Sauret, has been completed to print on April 7, 1958. The text, set in characters Jaugeon of body 16, was printed on the presses of L'imprimerie Nationale, Daniel Gibelin being director, and Georges Arnoult inspector of typography. The plates were lithographed in fifteen colors under the direction of the artist with the collaboration of Charles Sorlier. The print run of these lithographs, and the V original lithographies of Vlaminck, were shot on the presses of Mourlot Freres in an edition of MM.
About the Publication:
Vlaminck, published in Monte Carlo in 1958 under the direction of Andre Sauret, in collaboration with Mourlot Freres and Charles Sorlier, stands among the most vibrant tributes to the Fauvist movement and to Vlaminck’s legacy as one of its founding figures. Conceived in the golden age of postwar French art publishing, this album exemplifies the technical mastery and editorial sophistication that defined the collaborations between Sauret and Mourlot. Printed in fifteen colors on grand velin Renage filigrane a la marque de l'editeur, the album reflects the intensity and spontaneity of Vlaminck’s brushwork, capturing the chromatic energy that made his art revolutionary. Each lithograph was produced under the artist’s personal supervision, ensuring fidelity to his color sensibility and dynamic gesture. This publication joins the landmark series of art volumes issued by Editions Andre Sauret, including those devoted to Picasso, Chagall, Matisse, and Renoir, uniting scholarship, craftsmanship, and artistic vision. Vlaminck endures as both a celebration of Fauvist color and a masterwork of twentieth-century lithographic printing.
About the Artist:
Maurice de Vlaminck (1876–1958) was a revolutionary French painter and writer whose fearless use of color, movement, and emotion helped define Fauvism and shape the course of modern art. A self-taught visionary, Vlaminck co-founded the Fauvist movement alongside Henri Matisse and Andre Derain, introducing a radical style marked by explosive color, expressive brushwork, and a complete break from academic tradition. Deeply influenced by Vincent van Gogh’s impassioned technique and Paul Cezanne’s structural discipline, he fused raw energy with compositional rigor to create landscapes and still lifes that vibrate with emotional power. His early works—painted in the “Cradle of Fauvism” at Chatou—ignited the Parisian avant-garde, earning him a reputation as one of the most instinctive and daring artists of his generation. Unlike his contemporaries Pablo Picasso, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who explored abstraction, surrealism, and conceptual experimentation, Vlaminck remained devoted to direct, visceral expression, using paint as a vehicle for pure emotion. His art evolved from the blazing chromatic intensity of Fauvism to a more somber, structured lyricism that bridged the gap between Expressionism and modern realism. Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning, and Anselm Kiefer, all of whom drew inspiration from his authenticity and defiance of convention. His landscapes and village scenes—rendered with thick impasto, turbulent skies, and luminous contrasts—capture the enduring vitality of rural France and the tension between chaos and serenity. Vlaminck’s work is represented in major museums worldwide, including the Centre Pompidou, Musee d’Orsay, Metropolitan Museum of Art, and Tate, where it continues to resonate for its emotional immediacy and masterful handling of color and form. Standing alongside innovators such as Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Vlaminck remains one of the defining forces of 20th-century modernism. The highest auction record for Maurice de Vlaminck was achieved by Paysage de banlieue (circa 1905), which sold for $22,482,500 USD at Christie’s, New York, on May 8, 2011, reaffirming his legacy as one of the most influential and collectible painters in modern art history.
Maurice de Vlaminck Chatou a l'arbre rouge Chatou with the Red Tree Vlaminck Andre Sauret Monte Carlo 1958 lithograph Fauvism Modernism.
- Creation Year:1958
- Dimensions:Height: 12.25 in (31.12 cm)Width: 9.5 in (24.13 cm)
- Medium:
- Movement & Style:
- After:Maurice de Vlaminck (1876-1958, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216831762
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,221 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Southampton, NY
- Return Policy
More From This Seller
View AllMaurice de Vlaminck, The Seine at Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Chatou (The Seine at Chatou), from the album Vlaminck, originates from the 1958 edition published b...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Maurice de Vlaminck, The Bridge at Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Le Pont de Chatou (The Bridge at Chatou), from the album Vlaminck, originates from the 1958 edition published ...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Maurice de Vlaminck, The Hills of Chatou, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Coteaux de Chatou (The Hills of Chatou), from the album Vlaminck, originates from the 1958 edition publish...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Maurice de Vlaminck, Sailboats on the Seine, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Voiliers sur la Seine (Sailboats on the Seine), from the album Vlaminck, originates from the 1958 edition publ...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Maurice de Vlaminck, The High Madness, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Haute Folie (The High Madness), from the album Vlaminck, originates from the 1958 edition published by Andr...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
Maurice de Vlaminck, The Road to Mortagne, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Mortagne (The Road to Mortagne), from the album Vlaminck, originates from the 1958 edition publish...
Category
1950s Fauvist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
You May Also Like
de Vlaminck, Paysage à Chatou, Fauves, Collection Pierre Lévy (after)
By Maurice de Vlaminck
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Fauvist Landscape Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
de Vlaminck, Chataigneraie à Chatou, Fauves, Collection Pierre Lévy (after)
By Maurice de Vlaminck
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Fauvist Landscape Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
"The Red Tree" lithograph
By (after) Maurice de Vlaminck
Located in Henderson, NV
Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 6 5/8 x 8...
Category
1950s Prints and Multiples
Materials
Lithograph
Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, P...
Category
1910s Fauvist Landscape Prints
Materials
Woodcut
Untitled
By Maurice de Vlaminck
Located in Norwich, GB
Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his land...
Category
Early 20th Century Fauvist Landscape Drawings and Watercolors
Materials
Watercolor
Paysage
By Maurice de Vlaminck
Located in San Francisco, CA
Artist: Maurice de Vlaminck (French, 1876-1958)
Title: Paysage
Year: 1952
Medium: Original color lithograph
Edition: Numbered 66/75 in pencil
Paper: Arches
Image size: 14.5 x ...
Category
Mid-20th Century Fauvist Landscape Prints
Materials
Lithograph
