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Maurice de Vlaminck, Chestnut Grove at Chatou, from Fauves, VII, 1972 (after)1969
1969
$956
$1,19520% Off
£735.54
£919.4320% Off
€840.54
€1,050.6820% Off
CA$1,368.26
CA$1,710.3320% Off
A$1,492.07
A$1,865.0820% Off
CHF 783.82
CHF 979.7820% Off
MX$17,883.32
MX$22,354.1520% Off
NOK 9,939.63
NOK 12,424.5420% Off
SEK 9,249.76
SEK 11,562.2120% Off
DKK 6,277.92
DKK 7,847.3920% Off
About the Item
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chataigneraie a Chatou, Avec Personnages (Chestnut Grove at Chatou, With Figures), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on November 24, 1972. The work presents Vlaminck’s powerful synthesis of expressive gesture, structural clarity, and chromatic intensity, translating the emotional and rhythmic force of his Fauvist landscapes into richly tonal lithographic form.
Executed as a lithograph on velin d’Arches paper, this work measures 20 x 26 inches (50.8 x 66 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier.
Artwork Details:
Artist: After Maurice de Vlaminck (1876–1958)
Title: Chataigneraie a Chatou, Avec Personnages (Chestnut Grove at Chatou, With Figures), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy
Medium: Lithograph on velin d’Arches paper
Dimensions: 20 x 26 inches (50.8 x 66 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1972
Publisher: Fernand Mourlot, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Fauves, VII, Collection Pierre Levy, 1972
Notes:
Excerpted from the folio (translated from French), The seventh in a series dedicated to Mr. Pierre Levy's collection, was printed in M examples on Arches velin. Printing was finished on November 24, 1972 by Mourlot for lithographs of the paintings of the Fauves and by Fequet and Baudier for typography. Fernand Mourlot, Paris 1972.
About the Publication:
Fauves, VII (Fauves, VII), published in 1972 by Fernand Mourlot, Paris, is the seventh folio in the landmark series devoted to the Pierre Levy collection, one of the most important private holdings of twentieth century French art. Conceived as both a scholarly document and a visual compendium, the series aimed to preserve and disseminate key works from the Fauvist and early modernist movements through masterfully executed lithographic interpretations. Created in collaboration with Mourlot Freres—the preeminent lithographic workshop in France—the folio reflects the atelier’s commitment to capturing the tonal structure, chromatic vitality, and expressive dynamism of modern French painting. Issued in a single edition on Arches velin, the publication remains an essential contribution to the study and preservation of modernism, illuminating the continued cultural significance of these works and the pivotal role of Pierre Levy’s collection in shaping their legacy.
About the Artist:
Maurice de Vlaminck (1876–1958) was a revolutionary French painter and writer whose fearless use of color, movement, and emotion helped define Fauvism and shape the course of modern art. A self-taught visionary, Vlaminck co-founded the Fauvist movement alongside Henri Matisse and Andre Derain, introducing a radical style marked by explosive color, expressive brushwork, and a complete break from academic tradition. Deeply influenced by Vincent van Gogh’s impassioned technique and Paul Cezanne’s structural discipline, he fused raw energy with compositional rigor to create landscapes and still lifes that vibrate with emotional power. His early works—painted in the “Cradle of Fauvism” at Chatou—ignited the Parisian avant-garde, earning him a reputation as one of the most instinctive and daring artists of his generation. Unlike his contemporaries Pablo Picasso, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who explored abstraction, surrealism, and conceptual experimentation, Vlaminck remained devoted to direct, visceral expression, using paint as a vehicle for pure emotion. His art evolved from the blazing chromatic intensity of Fauvism to a more somber, structured lyricism that bridged the gap between Expressionism and modern realism. Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning, and Anselm Kiefer, all of whom drew inspiration from his authenticity and defiance of convention. His landscapes and village scenes—rendered with thick impasto, turbulent skies, and luminous contrasts—capture the enduring vitality of rural France and the tension between chaos and serenity. Vlaminck’s work is represented in major museums worldwide, including the Centre Pompidou, Musee d’Orsay, Metropolitan Museum of Art, and Tate, where it continues to resonate for its emotional immediacy and masterful handling of color and form. Standing alongside innovators such as Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Vlaminck remains one of the defining forces of twentieth century modernism. The highest auction record for Maurice de Vlaminck was achieved by Paysage de banlieue (circa 1905), which sold for 22482500 USD at Christie’s, New York, on May 8, 2011, reaffirming his legacy as one of the most influential and collectible painters in modern art history.
Maurice de Vlaminck Chataigneraie a Chatou Avec Personnages Lithograph Mourlot Pierre Levy Collection 1972.
- Creation Year:1969
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- After:Maurice de Vlaminck (1876-1958, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465217230462
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