Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)

1955

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

Original Edition Woodcut Engraving on cream wove Montval paper. Edition: 240. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélè...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Landscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...

View of Mount Fuji in Winter is a woodcut print realized by Katsushika Hokusai in the early 19th Century, probably around 1835. From the book "Fugaku hyakkei" (100 views of Mount Fu...

Breton Peasant is a woodcut print realized by Paul Emile Colin (1867-1949). Good condition on a little paper, included a cream colored cardboard pass...

Loi, Bible, Dogme is a woodcut print realized by in 1903 by Louis Willaume (1874-1949). Signed on Plate. Good condition. The artwork is depicted through soft strokes in a well-bal...