1980s Landscape Prints

This is an authentic woodblock print by Shiro Kasamatsu 笠松紫浪 in 1953. It is part of his "Eight Views of Tokyo" series東京八景の内. This is one of Shiro Kasamatsu (1898-1991)'s most iconi...

David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...

Artist: Peter Alexander (1939) Title: Hallelujah II Year: 1988 Edition: 50, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Sign...

Jean Solombre, French (1948 - ) - Reflection, Year: 1980, Medium: Etching with Aquatint on Arches, signed, numbered and dated in pencil, Edition: 19/125, Image Size: 11 x 11 inch...

This exquisite lithograph by Marc Chagall (1887–1985), titled Cheval bleu au couple (Blue Horse with Couple), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this vibrant composition reflects Chagall’s lyrical fusion of color, dream, and devotion. In Cheval bleu au couple, ethereal figures and a radiant blue horse float within a luminous space of poetic imagination, evoking love, memory, and transcendence. The image captures the artist’s timeless ability to unite fantasy and emotion within the expressive language of modernism. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition exemplifies Chagall’s mastery of color lithography and his lifelong exploration of faith, folklore, and the human spirit. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Cheval bleu au couple (Blue Horse with Couple), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe VI, 1980–1985. Andre Sauret, Editeur, 1986, illustration 993. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 113. Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Cheval bleu au couple, Marc Chagall lithograph, Chagall Derriere le Miroir, Chagall Maeght...

In 1983, artist David Lingwood created this stunning diptych poster, capturing the serene beauty of Le Trayas, a picturesque locale in the south of France. This two-panel composition...

Jean Solombre, French (1948 - ) - Incomparable Chant D'été De L'azur, Year: 1981, Medium: Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 1...

Title: Statue of Liberty V Year: 1981 Medium: Offset lithograph in colors on gloss archival paper Size: 24.5 x 12.5 inches Inscription: Hand signed by Peter Max in ink and unnumbered...

Pastel Landscape: Impressionist Trees is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artis...

This exquisite lithograph after Marc Chagall (1887–1985), titled Ares und Aphrodite (Ares and Aphrodite), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-langu...

Ella Fort Spring in Brittany (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...

Artist: Keith Haring (1958-1990) (after) Title: Lucky Strike (Littmann P. 78) Year: 1987 Medium: Silkscreen on Arches cotton rag paper Inscription: Hand signed and numbered, 70/80, a...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek urns, and snakes, printed in black o...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size:...

Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...

The Los Angeles Olympics Torch /runner. 1984 Los Angeles Olympics original vintage poster. Original, hand signed and numbered #232/300 "The Olympic Tor...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Vintage poster realized in 1981. Offset and lithograph. Very good condition.

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

IN THE GARDEN is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 150 by the renowned African American artist Romare Bearden. Featuring fresh, uplifting shades of lavender, hues of fresh green, pink, warm tomato red, orange yellow, grays, black and white, IN THE GARDEN depicts a charming collage portrait drawing of a young black woman waving as she carries her basket of freshly picked flowers. She is standing in the garden wearing a bright pink gingham...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...

This vintage David Hockney poster features whimsical imagery and rich, bright color. Palm trees, boats in the ocean, a cafe, and a bodega with an elaborate iron-wrought balcony sit a...

BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...

David T. Kessler, American (1950 - ) - Reflected Overhang IV, Year: circa 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 15/100, Image Size: ...

Ted Lownik, American - Sailboats at Sunset, Year: circa 1980, Medium: Oil on Canvas, Image Size: 17 x 26 inches, Size: 22 x 31 in. (55.88 x 78.74 cm), Frame Size: 23 x 32 inches

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

Artist: Peter Max (1937) Title: Galactic Man Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.75 x 6.25 inches Condition: Excellent I...

Presence is a beautiful offset realized by Franco Fontana . Limited edition of 1.000. good conditions except for some foldimgs. Colored poster from a photograph by Franco Fontana ...

Artist: Jean Michel Folon, Belgian (1934 - 2005) Title: Editions Lahumiere Year: Circa 1980 Medium: Screenprint on Arches Paper Paper Size: 29.5 in. x 39.5 in. (74.93 cm x 100.33 cm)

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

Sunset Landscape Arthur Secunda, American (1927) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 31/300 Size: 25.5 x 34 in. (64.77 x 86.36 cm)

Part of a triptych, this rendering of Manhattan shows the uppermost area of the island of New York City. Along the coasts of the city are large illustrations of plants native to the ...

Serge LASSUS (1933-) Thalasso at Saint Malo, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 x 22 ...

Sky and Water by Roy Lichtenstein is a vintage blank greeting card, originally printed for the Guggenheim Museum in 1980. The card is framed in a white wood frame with a front profil...

Dusk, Hopi Arizona landscape lithograph contemporary by Dan Namingha purple pink hand pulled limited edition lithograph signed and numbered by the a...

This exquisite lithograph after Marc Chagall (1887–1985), titled Sisyphos (Sisyphus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published ...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Bett des Odysseus (The Bed of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

Suggestive of the misty cool colors and contours of the Pacific Northwest, this scenic framed lithograph is numbered #5 of 40. Let it inspire a restful palette for the bedroom. Sign...

Original 1989 Louis Vuitton Automobile Classiques Poster –Hand Signed, Archival Linen-Backed. This poster was created for the Concours d’Elegance ...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

This exquisite lithograph by Antoni Tapies (1923–2012), titled A ma (To My), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght ...

Edward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Aime Maeght (Tribute to Aime Maeght), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommag...

Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...

This exquisite lithograph after Marc Chagall (1887–1985), titled Athene senkt Odysseus in den Schlaf (Athena Lulls Odysseus to Sleep), from Homer, Die Odyssee (The Odyssey), originat...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Artist: Roy Ahlgren (1926-2011) Title: Starry, Starry Night Year: 1982 Edition: 7/150, plus proofs Medium: Silkscreen on Arches paper Size: 22 x 30 inches Condition: Good Inscription...

ROADS is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arc...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.