1980s Landscape Prints

Roy Lichtenstein VIP Invitation to Museum of Modern Art black tie preview of the exhibition "The Drawings of Roy Lichtenstein" (Hand Signed), 1987 Offset lithograph on Coronado Opaqu...

Original off set lithograph in black and white with hand colored tinting by the artist. Artist signed, titled and numbered by the artist 47/250. Condition is excellent. Under glass...

SUNBATHERS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. SUNBATHERS depicts a two female sunbathers sitting in their lounge chairs on a sunny day at the beach wearing dark sunglasses, straw sun hats, and snazzy red and purple bikinis...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph by the renowned American artist Romare Bearden, printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. TWO WORLDS, FACES OF THE FUTURE is a multicolored collage landscape portraying a mysterious, jigsaw-shaped starry night sky in shades of deep blue, hues of bright green, golden yellow, and touches of red. In the foreground of TWO WORLDS, FACES OF THE FUTURE two human figures stand face to face exchanging stars beneath a celestial blue sky showered with twinkling lights. Bearden created this image bearing in mind the importance of advancement through education. This very unique Romare Bearden lithograph...

Talavie, Hopi desert landscape, village scene, blues, reds, by Dan Namingha hand pulled limited edition lithograph signed and numbered by the artist

THE GARDEN is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 using traditional hand lithography techniques on archival Somerset paper, 100% acid free. THE GARDEN is a dreamy, abstract line drawing...

Biagio Civale, Italian/American (1936 - ) - Central Park, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 4/10, Image Size: 8 x 9.5 inches, Size: 19 in. x 22 in...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...

multi color silscreen on paper, edition of 144 abstracted landscape with trees

VILLA NEUVE is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. VILLA NEUVE is an imaginative modernist ...

Artist: Peter Alexander (1939) Title: Sitka Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed and n...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

Pastel Landscape: Impressionist Trees is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artis...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Roger Muhl (1929-2008) Provence #7, 1986. Signed and numbered in pencil by the artist, lower margins. Artwork is in excellent condition with no damage or conservation. Frame shows ...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also presents paintings, prints and sculpture by Southwestern luminary, DAN NAMINGHA....

Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Bett des Odysseus (The Bed of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

Artist: Peter Alexander (1939) Title: San Blas II Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Michel Charpentier, French (1934 - ) - Icarus, Year: circa 1980, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 108/275, Image Size: 17.5 x 14.5 inches, Si...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Serge FENECH (1951-) Provencal landscape, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x 30 in)...

Title: Numbers in Color Year: 1981 Medium: Offset Lithograph exhibition poster on archival paper Edition: 5,000 Size: 39.5 x 27 inches Condition: Excellent Notes: Published by the Al...

David T. Kessler, American (1950 - ) - Reflected Overhang IV, Year: circa 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 15/100, Image Size: ...

Very rare original Signed E.A. Artist's Proof, color lithograph, "New York", by Bernard Buffet (1928-1999). Circa 1980. A Landscape image by the celebrated French Modernist figurative artist Bernard Buffet, titled "New York". The color litho shows buildings and skyline in New York City, this is a rare image from a series of New York views produced by Buffet. The artwork is signed in pencil lower left "E.A", Artist's Proof in French, from the limited edition numbered prints (which was limited to 150) , it is also boldly signed "Bernard Buffet" lower right. Condition is excellent, we at Bloomsbury Fine...

Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered,

Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...

Max Epstein, Canadian (1932 - 2002) - Anchored Flotilla Days Gone By, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 295, Image Size: 18.5 x 27.5 inc...

Edward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Street Scene, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New Y...

H.N. Han Han Hsiang-Ning (Chinese b.1939) New York Skyline 1980 From the Cityscape Portfolio Pencil signed, dated and marked PP 4/25 in the margin Color lithograph on Somerset. Pape...

Rendered in hues of blue, teal, and brown, this Ralph Fasanella print is a bustling depiction of New York City including views of identifiable landmarks from various boroughs and loc...

Artist: Mark Kostabi (1960) Title: Merger Year: 1988 Edition: 50, plus proofs. Medium: Silkscreen on Arches paper Size: 39 x 27.5 inches Condition: Excellent Inscription: Signed and ...

Artist : C.J. Yao Title: Coca Cola #4 - 1981 Screen Print, on Arches archival paper 22'' x 23.5'' Edition: signed in pencil and numbered 162/250 Unframed Excellent Condition C. ...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Market, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New York, a...

Thanksgiving by Colette Raker, French/American (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 450 Image Size: 25.5 x 33 inches Size: 28 x 36.5 in. (71....

John McNulty, Irish/American (1949 - ) - Sailing Away, Year: 1984, Medium: Aquatint Etching, signed and titled in pencil, Edition: 250, Image Size: 21...

Title: Statue of Liberty V Year: 1981 Medium: Offset lithograph in colors on gloss archival paper Size: 24.5 x 12.5 inches Inscription: Hand signed by Peter Max in ink and unnumbered...

Richard Claude Ziemann (American, b 1932) 'Weland Grasses' 1980 Etching on wove paper Edition 138/175 Titled in pencil lower left Signed and dated in pencil lower right Image (plate)...

SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% ac...

Lloyd Lozes Goff, American (1918 - 1982) - Sunset, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 25 inches, Size: 22...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Roofs. Year: 1987, Medium: Screenprint, Signed and numbered in pencil, Edition: 100, Image Size: 11 x 16 inches, Size: 19 x 23 in. (48...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled People in Park, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New...

John Stritch was an American artist best known for his abstract and sculptural work. "Red Sky" features an abstracted and simplified red landscape. This screen...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

EASIN' EM HOME by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography ...

White Flowers on Pink Sky - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A giant white flower ri...

Biagio Civale, Italian/American (1936 - ) - Seaside Town, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats in Harbor with Lighthouse, Year: circa 1980, Medium: Lithograph, Image Size: 13.5 x 19.5 inches, Size: 19.5 x 25.5 ...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

John Beerman, American (1958 -) - Sea Outlook, Year: 1985, Medium: Etching, signed and numbered in pencil, Edition: AP 4/5, Image Size: 7 x 9 inches, Size: 15 x 15 in. (38.1 x 3...