1980s Landscape Prints

Eduardo Arroyo - Awaken Heart - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

Kids of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Guests of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Sunrise. 1984. Paper, linocut, 25x34 cm imprint size 14x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Logging. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

Battle. 1982. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Midsummer ferns. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

Midsummer wreath. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

The poor man. 1982. Paper, linocut, 25x34 cm imprint size 13,5x27 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrat...

Cascina Madera, Ref. 421 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees...

Rye bread. 1980, Paper, linocut, print size 50x65 cm; total 65x73 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The mai...

Venezia, I Tetti (roofs), platemark mm 593 x 392. Rif. 541 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrosp...

Ponte del Rimedio, Venezia, 1986 platemark mm 79.3 x 34.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospe...

A fine etching titled “Shipwreck,” part of the Sources & Structures series of etchings by American artist Robert Stackhouse (b. 1942). Stackhouse was born in West Chester, PA, and ha...

Venezia, Ponte di Rialto, 1987 Platemark mm 489 x 488 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospectiv...

Serigraph in colors on paper. Hand signed and numbered by the artist. Artist Proof (AP) edition of 45. Sheet size 23 x 27.5 inches. Image size 18 x 22.5 inches. Custom framed as ...

Hand signed, dated and inscribed "PP Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity includ...

ref. 549 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

See-saw, Margery Daw, 1994 Paula Rego Etching with aquatint and hand-colouring, on velin Arches Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford P...

Hand signed and numbered. Blind stamped in lower left corner. Don't hesitate to ask any questions. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by ...

Le alabarde, Ref. 499 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees with a cycle of sixty different platemarks. In 2021, Milan named a new street after her. Her etchings are in prestigious museums in Europe and America, as well as in many private collections. Her work is protected by a foundation with her name, based in Milan. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography Proudly present into Google art and Culture A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina - a village just outside Cremona- in the north of the country. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati...

Lithograph in colors on paper. Hand signed, dated and numbered by the artist. Artist Proof (AP) edition. Sheet size 23 x 30 inches. Custom framed as pictured. Artwork is in excell...

Cascina Bellaria, Milan's countryside, catalogue rif. 497 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etch...

Italian Landscape, Grande Lanca, rif. 384 Original etching, signed and numbered. Limited edition of 90. Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and number...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

Screenprint on paper. Hand signed and numbered by the artist. From the main edition of 300. Image size 30.5 x 23 inches. Artwork is in excellent condition. Certificate of Authenti...

VIRGIL THRASHER (American, 1943). Poster-Coastal Images. Copyright 1987 V.T.P ltd. Measures 21.5 x 28.5 in. Unframed. Good Condition.

John Buck is well known for his carved wood and bronze sculptures and monumental woodblock prints. In recent years, he has turned his attention to creating ever-more-complex mechanic...

Eduardo Arroyo - Resistance in the Snow - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Venezia, Calle dei Preti, 1984, rif. 540 Platemark mm 64.2x24.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical ret...

This work by Le Parc from 1983 is part of the portfolio "Against Apartheid". In this year, many renowned artists decided to create a portfolio of printmaking works to set a sign against the Apartheid. There was also a touring exhibition. The complete project was supported by the United Nations Special Committee against Apartheid. Please scroll through our seller storefront...

Donald Baechler Tree, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22

TECHNICAL INFORMATION: Andy Warhol Brooklyn Bridge, FS 11.290 1983 Screenprint on Lenox Museum Board 39 1/4 x 39 1/4 in. Edition of 200 Pencil signed & numbered Accompanied with CO...

Andrew Wyeth "Dogwood" 1983 Collotype Ed. 115/300 Signed and Numbered Lower Right Image Size: 21 x 28 3/4 inches Framed Size: approx. 29 x 36.5 inches A painter of landscape and figure subjects in Pennsylvania and Maine, Andrew Wyeth became one of the best-known American painters of the 20th century. His style is both realistic and abstract, and he works primarily in tempera and watercolor, often using the drybrush technique. He is the son of Newell Convers and Carolyn Bockius Wyeth of Chadds Ford, Pennsylvania, and was home-schooled because of delicate health. His art instruction came from his famous-illustrator father, who preached the tying of painting to life--to mood and to essences and to capturing the subtleties of changing light and shadows. The Wyeth household was a lively place with much intellectual and social stimulation. Because of the prominence of N.C. Wyeth, persons including many dignitaries came from all over the country to visit the family. Andrew's sisters Carolyn and Henriette became noted artists as did his brother-in-law, Peter Hurd. The non-art oriented brother, Nathaniel Wyeth...

Among the pioneering California-based Light and Space artists, Peter Alexander has spent the course of his career focusing intensely on light and its manifold effects in his sculptur...

Among the pioneering California-based Light and Space artists, Peter Alexander has spent the course of his career focusing intensely on light and its manifold effects in his sculptur...

Andy Warhol’s iconic depiction of the Brooklyn Bridge connecting Brooklyn and Manhattan is a dual image of the landmark reversed and rendered in complementary colors. The work is pre...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

TECHNICAL INFORMATION: Ed Ruscha Stranger 1983 Lithograph 30 x 22 1/2 in. Bon A Tirer (B.A.T.) from an edition of 7 Pencil signed and annotated B.A.T. Accompanied with COA by Gregg...