1980s Landscape Prints

Ted Jeremenko, Yugoslavian/American (1938 - ) - Dunes. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 11 x 16 inches, Size: 19 x 23 i...

Artist: Marisol Escobar (1930) Title: Budding Year: 1980 Edition: 84/150, plus proofs. Medium: Lithograph on Arches paper Size: 30.25 x 22.5 inches Condition: Good Inscription: Signe...

Bold and bright depiction of a dining room by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky, rectilinear forms, creating an ani...

LA TOUR, LA NUIT, LE JOUR is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded...

Sunset Landscape Arthur Secunda, American (1927) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 31/300 Size: 25.5 x 34 in. (64.77 x 86.36 cm)

D.G. Smith at Long Beach Museum of Art/Gallery, 1982 Offset lithograph poster Plate signed on the front 23 1/2 × 33 1/2 inches Unframed This plate signed vintage poster was published...

Dramatic and compelling abstract lithograph of an abstracted lava-like form or glowing skyline under a full moon on a pitch black background by Patricia A. Pearce (American, b. 1948)...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Down Hill Len Rosolio, American Date: 1981 Screenprint, signed and numbered in pencil Edition of 350 Size: 35 x 28.5 in. (88.9 x 72.39 cm)

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 21.75 x 29.5 inches. Inscription: Hand signed and numbered, 145/200, as issued. Notes: Published by Atelier Dum...

Artist: Ron Kleemann (1937-2014) Title: Straight Shot Year: 1980 Medium: Silkscreen on Somerset paper Edition: 225/250, plus proofs Size: 22 x 30 inches Condition: Good Inscription:...

April Gornik Remember the Sabbath Day (The Fourth Commandment), 1987 2 Color Lithograph on Dieu Donne handmade paper with deckled edges 24 × 18 inches Signed and numbered AP 12/15, a...

A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...

How Many Miles to Babylon, 1989 Paula Rego Etching with aquatint, on velin Arches Signed and inscribed ‘A/P’, apart from the edition of 50 From Nursery Rhym...

Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group survey of rising modernist architects, Graves, along with Richard Meier, Charles Gwathmey, Peter Eisenman...

Artist: Red Grooms (1937) Title: Albert Einstein and Marilyn Monroe Year: circa 1987 Medium: Monotype and mixed media on wove paper Size: 47.62 x 31.87 inches Condition: Excellent I...

Artist: Fran Bull (1938) Title: Three Egrets Year: 1980 Edition: 156/160, plus proofs. Medium: Silkscreen on Rives BFK White Paper Size: 20.25 x 29.75 inches Condition: Good Inscript...

The Domes is a modern artwork realized by Felice Ludovisi in 1968. China and penmarker drawing on paper. Hand signed and dated on the lower margin. ...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

Urban Landscape is a mixed-colored offset by the Sicilian artist Franco Fontana. Sheet dimension: 80 x 60 cm. Good conditions.

Urban Landscape is a mixed-colored offset by the Sicilian artist Franco Fontana. Sheet dimension: 80 x 60 cm. Good conditions.

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

Vintage Raymond Pettibon exhibition poster: Raymond Pettibon 'Illustration Without Tears': Rare vintage Pettibon exhibit poster published by Regen Pr...

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 21 x 29 inches. Inscription: Hand signed and numbered, A.P., as issued. Notes: Published by Atelier Dumas Inc.,...

A unique oil print by Romare Bearden circa 1980. A bright city scene illustrated in a modern expressionist style. Artist: Romare Bearden, American (1911 - 1988) Title: Bridgetown, ...

Artist: Wayne Ensrud, American (1934 - ) Title: Comogli Italy Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 300, HC Image Size: 21.5 x 28 inches Size: ...

Bold and bright depiction of a Victorian house by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky,...

Artist: Yaakov Agam (1928) Title: Stars Year: 1989 Medium: Silkscreen on Arches paper Edition: P.P. 3/14, 180, plus proofs Size: 26.5 x 19 inches Condition...

Ex Libris with Landscape is an original Contemporary Artwork realized in 1984 in Russia. Original B/W woodcut on ivory-colored paper. Signed and dated on plate on the lower right co...

Spring Fever Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 42 x 29.5 in. (106.68 x 74.93 cm)

Artist: Robert Rauschenberg (1925-2008) Title: Human Rights 1981 Year: 1981 Medium: Silkscreen and lithograph on wove paper Edition: 41/100, plus proofs Size: 31 x 23 inches Conditio...

Venezia is an original Contemporary Artwork realized in 1982 by the Italian artist Virgilio Guidi. Original Lithograph on paper. Hand signed by the artist in pencil on the lower ...

Christo, Christo and Jeanne-Claude, Javacheff Christo The Pont Neuf, Paris Wrapped (Hand Signed), from the Estate of Aviva and Jacob Bal Teshuvah, 1985 Offset lithograph poster (hand signed Christo et Jeanne-Claude) Signed Christo et Jeanne-Claude in orange crayon on the front Unnumbered 24 × 36 1/2 inches Unframed Hand signed Christo et Jeanne-Claude in orange crayon on the front unframed Accompanied by gallery issued Certificate of Guarantee & provenance This elegant vintage poster was published to promote and raise funds for Christo's famous The Pont Neuf Wrapped Project in the mid 1980s. From the estate of Jacob and Aviva Bal Teshuva - authors of books on Christo, collectors, philanthropists and friends of the artist. Provenance Estate of Aviva and Jacob Bal-Teshuva ABOUT THE PONT NEUF WRAPPED PROJECT: On September 22, 1985, a group of 300 professional workers completed the temporary work of art The Pont Neuf Wrapped. They had deployed 450,000 square feet (41,800 square meters) of woven polyamide fabric, silky in appearance and golden sandstone in color, covering: The sides and vaults of the twelve arches, without hindering river traffic. The parapets down to the ground. The sidewalks and curbs (pedestrians walked on the fabric). All the street lamps on both sides of the bridge. The vertical part of the embankment of the western tip of the Île de la Cité. The Esplanade of the Vert-Galant. The fabric was restrained by 8 miles (13 kilometers) of rope and secured by 12.1 tons of steel chains encircling the base of each tower, 3.3 feet (1 meter) underwater. The Charpentiers de Paris headed by Gérard Moulin, with French sub-contractors, were assisted by the USA engineers who had worked on Christo and Jeanne-Claude's previous projects, under the direction of Theodore Dougherty: Vahé Aprahamian, August L. Huber, James Fuller, John Thomson and Dimiter Zagoroff. Johannes Schaub, the project's director had submitted the work method and detailed plans and received approval for the project from the authorities of the City of Paris, the Department of the Seine and the State. 600 monitors, in crews of 40, led by Simon Chaput...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...

Beside The Lake is a modern artwork realized by the Artist Rolandi (Maurizio Coccia), in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on t...

Bridgehampton Arne Besser, American (1935–2012) Portfolio: Cityscapes Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250, 30 AP Size: 30 in. x 22 in. (76.2 cm x 55....

The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Moon Mist Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 21 x 27.5 inches. Sheet size: 22.5 x 30 inches Signature: Signed lower right Edition size: 295 This one: 240/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with a faint crease in the upper right margin and a faint stain 4" x 1/2" in the upper left margin, both far from the image. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Delightfully detailed starfish at the shore by unknown artist J. Brown (20th Century). A starfish sits atop a rock at the edge of the water. The scene is rendered with great detail, ...

Delicate print of Fishing and sailboats on the Wharf In San Francisco from the collection of Patricia Pearce by one of her contemporaries or students, at the College of San Mateo, sh...

The Factory is an original lithograph on paper realized in 1980 by Giuseppe Megna. Hand-signed and dated on the lower right, numbered on the lower left in pencil, edition of xx/xxv ...

DRUID POINT is an original hand drawn limited edition lithograph by the Iowa born artist Jim Buckels printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. DRUID POINT presents a finely detailed fantasy landscape scene depicting a modern architecture cliffside house set high on a hill overlooking sparkling moonlit water and a deep blue night sky full of stars. Dramatic shades of dark blue, light purples, turquoise, greens, light beige, gray, black and touches of white create an intriguing nighttime ambience which keep the viewer's imagination engaged. DRUID POINT is a beautifully detailed picturesque architectural evening landscape with an aura of mystery and fascination. Print size - 27." x 27" unframed, excellent condition, vivid colors, full bleed image, no margins, square size format, pencil signed by Jim Buckels Year published - 1988 Edition size - 350, plus proofs Printer - JK Fine Art Editions Co. NY DRUID POINT is a very impressive, hand crafted original limited edition lithograph not a photo reproduction or digital print! JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Garden is a beautiful artwork realized by Orfeo Tamburi beetween 1973 and 1975. Mixed colored lithograph. Edited and printed by Graphis Arte, Livorno The artwork is from the portf...

French Stacks Linocut printed in color Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” Printer: Jaime Arnera, Vallarius, France (their stamp verso) Condition: Printed ...

Artist: Georg Karl Pfahler (1926-2002) Title: Untitled Year: 1987-93 Edition: 49/100, plus proofs Medium: Silkscreen on Arches paper Size: 27.5 x 27.5 inches Condition: Good Inscript...

Skier Allan Mardon, Canadian (1931) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 29 in. x 21 in. (73.66 cm x 53.34 cm)