Red Grooms

"Discount Store, " Screenprint with Drawing by Red Grooms, 1971

1971

Artist: Joan Melnick, American (1942 - ) Title: Morning Star Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 35 Paper Si...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...

Artist: Joan Melnick, American (1942 - ) Title: Swiss Road Year: 1979 Medium: Serigraph signed and numbered in pencil Edition: 300, AP 35 Image Size: 21.75 x 27.5 inches Paper Size:...

Artist: Max Epstein, Canadian (1932 - 2002) Title: Canadian Sunset Year: 1977 Medium: Silkscreen, signed and numbered in pencil Edition: 66/75 Image Size: 17 x 18 inches Frame ...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

Artist: Michael Knigin, American (1942 - 2011) Title: Fiery Idol Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 29.5 x 20 in. (74.93 x 50.8 cm)

Paula Scher China, 2013 Hand pulled silkscreen on deluxe Lanaquarelle paper 24 3/5 × 28 1/5 inches Edition of 95 Pencil signed and numbered on the front Unframed Paula Scher Biography Renowned graphic designer and artist Paula Scher's silkscreen China, from her map series, represents a subjective take on the country’s superpower status. Through the visual vibrancy of information overload in the print, Scher captures the swift transformations taking place in a country steeped with a rich cultural and historical fabric. The multi-directional, scrawled names of sites and statistics speaks to China’s complicated history, from its imperial age of dynasties and warlord conquests, to the violent tumult of its communist conversion. Paula Scher is one of the most influential graphic designers in the world. Described as the “master conjurer of the instantly familiar,” Scher straddles the line between pop culture and fine art in her work. Iconic, smart, and accessible, her images have entered into the American vernacular. Scher has been a partner in the New York office of Pentagram since 1991. She began her career as an art director in the 1970s and early 80s, when her eclectic approach to typography became highly influential. In the mid-1990s her landmark identity for The Public Theater...

Claes Oldenburg Fagends Carved in Rock, De-Accessioned from the Denver Art Museum (137, Axsom and Platzker), 1975 Offset Lithograph. Hand signed and numbere...

Christo The Gates, Historic New York City Subway Banner Poster (hand signed by Christo), 2005 Offset lithograph poster (uniquely hand signed on the front by Christo) Hand signed by C...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Ed Ruscha 200 Years Old, 1980 Offset lithograph Hand signed and numbered 132/425 by Ed Ruscha in graphite pencil on the front 30 1/2 × 25 inches Unframed This is a quintessential Los Angeles print...

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...