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Robin TannerFull Moon, Robin Tanner signed artist etching1977
1977
$1,350
£1,038.51
€1,205.41
CA$1,903.82
A$2,132.60
CHF 1,120.12
MX$25,931.75
NOK 14,184.37
SEK 13,464.78
DKK 8,996.48
About the Item
Full Moon
Etching by Robin Tanner (1904-1988), signed by the artist in pencil.
Very good, strong impression with excellent contrast. From the edition issued in 1977.
Robin Tanner’s wonderful etching of Full Moon encapsulates the idyllic vision of rural England so loved by Samuel Palmer and The Ancients. One of Tanner's best known etched works, it ranks amongst the great Romantic images of British original printmaking.
Robin Tanner was the last of the generation of English etchers to continue the traditions of Samuel Palmer, Graham Sutherland and F.L.M. Griggs. Tanner celebrated the beauty of the English countryside and its rustic settings in an idyllic pastoral manner unique in his time. His is the supremely crafted plate, developed through elaborate care and attention, and worked with a dense web of etched lines through which the light of the paper is allowed to sparkle. The density of this etched web is used to control the varying tones and create the final image.
On cream wove paper with margins.
244mm by 187mm (platemark)
325mm by 265mm (sheet)
- Creator:Robin Tanner (1904 - 1988, British)
- Creation Year:1977
- Dimensions:Height: 12.8 in (32.5 cm)Width: 10.44 in (26.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Remains of hinging tape on the reverse at the very top and bottom of the sheet.
- Gallery Location:Melbourne, AU
- Reference Number:1stDibs: LU1244216472222
Robin Tanner
Robin Tanner was an English artist, etcher and printmaker, born in the UK, in 1904. He followed in the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. Tanner had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie in London in 1926, and his first etching was made in that year. He was particularly moved by Palmer's early Shoreham works which had been so influential on fellow students such as Paul Drury, William Larkins and Graham Sutherland. Tanner also acknowledged his admiration for the technical craftsmanship of the older etcher, F.L. Griggs. Tanner was thus part of the etching revival in England.
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