Ross Racine

Miller Ridge Drive and Burton Valley Road

"Winter Evening Quartet" Framed size, 19"x25" Image size 10" High x 16.5" Wide, 2023 Archival Print on Paper from Photo of Hand-Built Paper Construction, signed and editioned by the ...

(15 3/8" X 20 1/2" ) archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer...

(15 3/8" X 20 1/2" ) archival pigment print, edition of 10 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a compute...

30"x40" archival pigment print signed on reverse by the artist. This composition is created entirely of cut paper, and then is photographed by the artist. The white paper in his as...

23 1/2”x31 1/2" archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer; no ...

34 1/2"x34 1/2" paper size, image size 31 1/2"x31 1/2" : signed and editioned on reverse, limited edition of 5. This limited edition print by Montreal artist, Ross Racine, depicts a...

Carrie Marill It's A Cowboy State, 2020 archival pigment print 14.5" x 14.5" paper size Edition of 10 Carrie Marill is a meticulous artist, sophisticate...

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

UNTITLED #5, 2021 Archival Pigment Print, Mounted on Aluminium Dibond, Framed with antireflective art glass 90 x 60 cm 91 x 61 cm - framed _ Overseas ship...

Birch-wood... - A still and silent night falls at the edge of a deep birch wood. The barest breath of wind stirs the leaves as the verdant green of summer...

"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...