Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Shungo Sekiguchi
Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris

c.1950's

About the Item

Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris This was published by the Guilde de la Gravure, Paris, France and bears their GG blindstamp. They were a mid century French art publisher and published many masters including Raoul Dufy, Max Erns, Jean Hans Arp, Ruffino Tamayo, Balthus, Gino Severini and Leonard Tsuguharu Foujita. Shungo Sekiguchi was born 1911 in Japan. In 1932 Shungo Sekiguchi contributed to the print series "One Hundred Views of Great Tokyo" (Dai Tokyo hyakkei). Prints from watercolors published by Kaneda Shoten (Nihon Hanga Ken-kyusho). In 1935, Sekiguchi moved to Paris, France to study at the prestigious Ecole des Beaux Art of France with a scholarship of the French government. He studied together with two other Ecole de Paris Japanese artists, Takanori Ogisu and Tsuguji Foujita. He exhibited at the prestigious "Salon d'Automne" in Paris. In 1940 when Paris was occupied by the German Nazis, Shungo Sekiguchi returned to Japan, but kept his ties with France. In 1952 he exhibited at the famous Salon d'Automne and received an award. In 1959, he received an award at the Vicci International Art Contest. In 1964, he received the Diplome d'Honneur des at Jobiji International Art Show. His retrospective exhibition has been held in many places in Japan. In 2002 the artist died in Japan. He is popular in Japan and several retrospective exhibitions were held in Japan. He was part of the Shin Hanga and Sosaku Hanga woodblock artists known for their woodcut prints and scrolls. Shin-hanga was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods. He also worked as a book illustrator and did the artwork for the French edition of Le démon doré by Ozaki Kohyo. He is included in Helen Merritt and Nanako Yamada's classic book "Guide to Modern Japanese Woodblock Prints: 1900-1975".
  • Creator:
    Shungo Sekiguchi (1911 - 2002, Japanese, French)
  • Creation Year:
    c.1950's
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 22.5 in (57.15 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    good. minor wear light toning commensurate with age.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38215742812

More From This Seller

View All
Surrealist Dream Lithograph Belgian Master Magritte Pencil Signed by Mourlot
By René Magritte
Located in Surfside, FL
Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...
Category

1960s Surrealist Landscape Prints

Materials

Lithograph

1936 Lithograph Soldiers in battle World War I small edition
By George Grosz
Located in Surfside, FL
According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...
Category

1930s Landscape Prints

Materials

Lithograph

1920 German Expressionist Figurative Lithograph "The Forest" Paul Kleinschmidt
By Paul Kleinschmidt
Located in Surfside, FL
Paul Kleinschmidt, (1883–1949) "The Forest" Lithograph on Cream Paper 1920 Frame: 21" X 17" Image: 10.75" X 8.5" An expressionist forest scene with pine trees Provenance: bears label...
Category

1920s Abstract Figurative Prints

Materials

Lithograph, Paper

1970 Silencio, Direccion Unica, One Way Spanish Political Etching Pop Art Print
By Juan Genoves
Located in Surfside, FL
Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Surrealist Dream Lithograph Belgian Master Magritte Pencil Signed by Mourlot
By (after) René Magritte
Located in Surfside, FL
Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...
Category

1960s Surrealist Landscape Prints

Materials

Lithograph

Israeli Naive Art Screen Print Lithograph Jerusalem, Sanhedrin Old City Folk Art
By Gabriel Cohen
Located in Surfside, FL
Bold color lithograph, hand signed in pencil and numbered AP IX/X (artist’s proof 9/10), Jerusalem Print Workshop blind stamp lower right. On French Arches paper. Gabriel Cohen, Sel...
Category

20th Century Folk Art Landscape Prints

Materials

Lithograph, Screen

You May Also Like

Femme a l'ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...
Category

Late 20th Century Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
By Henri de Toulouse-Lautrec
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph, Mulberry Paper

Hong Kong urbanscape lithograph
By Ramon Moscardo Fernandez
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...
Category

1990s Fauvist Landscape Prints

Materials

Lithograph

Vision of Paris, Lithograph from Mourlot Lithographe I
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall Title: Vision of Paris Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 22" x 19" Image Size: 12 1/2" x 9 1/2" Sh...
Category

1960s Fauvist Figurative Prints

Materials

Lithograph

Henri Matisse (after) La Tristesse du Roi (The Sadness of the King)
By (after) Henri Matisse
Located in Washington, DC
Artist: Henri Matisse (after) Title: La Tristesse du Roi (The Sadness of the King) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: ...
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Lierre
By (after) Henri Matisse
Located in Washington, DC
Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Recently Viewed

View All