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Stow Wengenroth
Lobsterman's House

1935

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  • MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
    By After John James Audubon
    Located in Santa Monica, CA
    (After) JOHN JAMES AUDUBON (1785 - 1851) MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20 Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
    Category

    1840s American Realist Landscape Prints

    Materials

    Lithograph

  • Kansas Farmyard / Missouri Farmyard
    By Thomas Hart Benton
    Located in Santa Monica, CA
    THOMAS HART BENTON (1889-1975) MISSOURI FARMYARD, 1936 (Fath 10) AKA KANSAS FARMYARD Lithograph as published by Associated American Artists. Edition 250. Signed in pencil and in the...
    Category

    1930s American Realist Landscape Prints

    Materials

    Lithograph

  • REFLECTIONS OF GLOUCESTER
    By Joseph Margulies
    Located in Santa Monica, CA
    JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
    Category

    1940s American Realist Landscape Prints

    Materials

    Aquatint

  • MANHATTAN
    By Anton Schutz
    Located in Santa Monica, CA
    ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
    Category

    1940s American Realist Landscape Prints

    Materials

    Etching

  • WESTERN GRANDEUR
    By Harold Lukens Doolittle
    Located in Santa Monica, CA
    HAROLD LUKENS DOOLTTLE (1883 - 1974) WESTERN GRANDEUR c. 1945 Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...
    Category

    1940s American Realist Landscape Prints

    Materials

    Aquatint

  • MORNING IN YOSEMITE
    By Harold Lukens Doolittle
    Located in Santa Monica, CA
    HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
    Category

    1930s American Realist Landscape Prints

    Materials

    Aquatint

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  • The Road, - Winter.
    By Otto Knirsch
    Located in New York, NY
    Published by N. Currier, 152 Nassau St. New York. Drawn on the stone by O. Knirsch. Lithograph hand-colored, 1853. This print was produced by Nathaniel Currier's staff as a Christ...
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  • The Burning Tower
    By Robert A. Birmelin
    Located in Surfside, FL
    Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
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  • Mountain Scene
    By Ira Moskowitz
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    Ira Moskowitz (1912-1985), [Mountain Scene], 1943, lithograph, signed in pencil lower right, numbered lower left (27/50) [also signed and dated 1943 in ...
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  • New York Skyline, Sketch
    By John Taylor Arms
    Located in Myrtle Beach, SC
    A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
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  • Hombre! Que Sin Vergeunza!
    By George Biddle
    Located in New York, NY
    George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board). A fine, fresh impression, in pristine condition. According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...
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    1920s American Realist Landscape Prints

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  • Homestead, Lithograph by Clarence Holbrook Carter
    By Clarence Holbrook Carter
    Located in Long Island City, NY
    Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Homestead Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 200, AP 30 Size: 23 in. x 29 in. (58....
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