RUE de L'ECHAUDE
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Stuart DavisRUE de L'ECHAUDE1929
1929
About the Item
- Creator:Stuart Davis (1892-1964, American)
- Creation Year:1929
- Dimensions:Height: 9.875 in (25.09 cm)Width: 14.25 in (36.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Slight toning of sheet - 2 small tears at right sheet edge. Large (full?) margins. See description for details.
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU41131605333
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
264 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
More From This SellerView All
- MANHATTAN CLIFFS (Large Lithograph)By Mark FreemanLocated in Santa Monica, CAMARK FREEMAN (1908 - 2003) MANHATTAN CLIFFS, 1947 Lithograph (offset?) with 2 color plates. Signed, titled and dated. 19 1/2 x 15 in., large grey sheet, 22 3/8 x 17 1/2 in. Very good condition. A large and very strong image of New York.Category
1940s American Modern Landscape Prints
MaterialsLithograph
$682 Sale Price30% Off - HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important PrintsBy Millard SheetsLocated in Santa Monica, CAMILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- PLOUGHING IT UNDERBy Thomas Hart BentonLocated in Santa Monica, CATHOMAS HART BENTON (1889-1975) PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8) Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- ALAMANDABy Roi PartridgeLocated in Santa Monica, CAROI GEORGE PARTRIDGE (1888 - 1984) ALAMANDA. 1937-42 (White 242), Etching edition 27, Signed In pencil and in plate. 13 7/8 x 9 7/8 inches. On a cream toned paper with full margin...Category
1930s American Modern Landscape Prints
MaterialsEtching
- THE THAWBy William Seltzer RiceLocated in Santa Monica, CAWILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...Category
1910s American Modern Landscape Prints
MaterialsColor, Woodcut
- LOTUS FLOWER - Provincetown StyleBy Mary TravisLocated in Santa Monica, CAMARY TRAVIS (1893-1976)) LOTUS FLOWER c. 1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”. Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and was probably a follower of William S...Category
1940s American Modern Landscape Prints
MaterialsWoodcut
$2,120 Sale Price20% Off
You May Also Like
- Wharf-sideBy Richard FlorsheimLocated in New York, NYRichard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...Category
1960s American Modern Abstract Prints
MaterialsLithograph
- Joseph S. Sims, The Mills of Manayunk (Pennsylvania)Located in New York, NYThis print is signed, titled, and dated, in pencil. Manayunk was an industrial town to the north of Philadelphia.Category
Mid-20th Century American Modern Landscape Prints
MaterialsLithograph
- Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Nebraska EveningBy Thomas Hart BentonLocated in London, GBA fine impression with good margins published by Associated American Artists.Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Original "Point Bleu Radio" vintage poster, faithful reflection of the worldLocated in Spokane, WAOriginal lithograph: POINT BLEU RADIO. Artist: Pierre. Baudouin (1921 - 1971). Size is 31" x 47". Archival linen backed and ready to frame. Cleaned and restored rare original French antique...Category
1940s American Modern Landscape Prints
MaterialsLithograph
- 'Navajo Courtship Dance' — 1940s Southwest RegionalismBy Ira MoskowitzLocated in Myrtle Beach, SCIra Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...Category
1940s American Modern Landscape Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Vintage Cremona
Indian Sheet Metal
Daniel Dens
John Taylor Arms Etchings
Return To Tiffany 1969
Harold Altman Artist
Vintage Colorado Posters
Nearby Sellers
Topiary Art
Coming Down The Mountain
Edward Bacon
British Linocuts
Tiffany Black Heart
London Blitz
Anna Suit
Jacques Boris
Altman Lithograph
Drypoint Etching Trees