Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Stuart Davis
Stuart Davis, Untitled, from Ten Works by Ten Painters, 1964

1964

$1,996
$2,49520% Off
£1,535.71
£1,919.6420% Off
€1,754.94
€2,193.6720% Off
CA$2,856.75
CA$3,570.9420% Off
A$3,115.24
A$3,894.0520% Off
CHF 1,636.52
CHF 2,045.6420% Off
MX$37,337.98
MX$46,672.4820% Off
NOK 20,752.62
NOK 25,940.7820% Off
SEK 19,312.27
SEK 24,140.3420% Off
DKK 13,107.45
DKK 16,384.3120% Off

About the Item

This exquisite silkscreen by Stuart Davis (1892–1964), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Untitled, Davis channels the electric rhythm, chromatic punch, and graphic immediacy that define his mature style, merging modernist structure with a syncopated visual energy that mirrors the pulse of American urban life and jazz-inspired abstraction. Executed as a silkscreen on Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Stuart Davis (1892–1964) Title: Untitled, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Davis, Stuart, et al. Stuart Davis: Graphic Work and Related Paintings with a Catalogue Raisonne of the Prints. Edited by Jane Myers, Amon Carter Museum, 1986, illustration 79. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. Stuart Davis silkscreen, Davis X + X, Ten Works by Ten Painters, Wadsworth Atheneum portfolio, 1964 American modernism, Mohawk Superfine Bristol, Sirocco Screenprints, Davis graphic work, Davis silkscreen print.
  • Creator:
    Stuart Davis (1892-1964, American)
  • Creation Year:
    1964
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465215746932

More From This Seller

View All
Composition (Saphire 24-38), Les Illuminations, Fernand Léger
By Fernand Léger
Located in Southampton, NY
Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Henri Matisse, The Cowboy, from Jazz, Special Edition for MoMA, 1983 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Cow-boy (The Cowboy), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Bra...
Category

1980s Fauvist Abstract Prints

Materials

Lithograph

Alberto Magnelli, Composition 66, from XXe Siecle, 1959
By Alberto Magnelli
Located in Southampton, NY
This exquisite linocut and pochoir by Alberto Magnelli (1888–1971), titled Composition 66, from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates from the...
Category

1950s Modern Abstract Prints

Materials

Linocut

Fernand Leger, The Logs, from Contrastes, 1959 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Buches (The Logs), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, 13 W...
Category

1950s Modern Figurative Prints

Materials

Lithograph, Stencil

Henri Matisse, The Clown, from Jazz, Special Edition for MoMA, 1983 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Clown (The Clown), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazil...
Category

1980s Fauvist Abstract Prints

Materials

Lithograph

Fernand Leger, Untitled, from Twelve Contemporaries, 1959 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1...
Category

1950s Modern Abstract Prints

Materials

Lithograph, Stencil

You May Also Like

ARCH NO. 1
By Stuart Davis
Located in Portland, ME
Davis, Stuart. ARCH NO. 1. Lithograph, 1929. Edition of 30. Numbered "23/30" and signed in pencil. 8 3/4 x 13 inches, 225 x 275 mm. In excellent condition.
Category

American Modern Landscape Prints

Materials

Lithograph

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
By Stuart Davis
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category

1930s American Modern Abstract Drawings and Watercolors

Materials

Paper, Gouache, Pencil

Composition avec formes jaune et rouge (Composition with yellow and red shapes)
By Fernand Léger
Located in Palo Alto, CA
Utilizing a bold color palette of red, black, yellow, and blue-grey, Leger creates an abstract work in which shapes and forms appear to drift in space. The large, red central image h...
Category

1950s Modern Abstract Prints

Materials

Screen

Ereignis in N.Y.2
By A.R. Penck (Ralf Winkler)
Located in Winterswijk, NL
Art Print on heavy Paper Original from 1983
Category

Late 20th Century Abstract Abstract Prints

Materials

Pencil

Composition - Lithograph after Fernand Leger - Mid-20th Century
By Fernand Léger
Located in Roma, IT
Composition is a screen print realized after Fernand Léger in the mid-20th Century. Monogrammed in plate and hand numbered in pencil lower right. The composition is part of a colle...
Category

Mid-20th Century Cubist Figurative Prints

Materials

Lithograph

Fernand Léger, Composition géométrique (Geometric composition)
By (after) Fernand Léger
Located in Palo Alto, CA
Utilizing a bold color palette of purple, yellow, red, and black, Léger creates an abstract work in which shapes and forms create a constructive unit. We detect hints of a road, a la...
Category

1950s Modern Abstract Prints

Materials

Screen