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Teresita FernandezFire (America) View 12017
2017
About the Item
Edition of 25.
"Fire (America) View " is a new print edition related to Teresita Fernández's wall drawing "Charred Landscape (America)." Images of raw charcoal create the illusion of an abstracted landscape scene shrouded in smoke. In this work, Fernández continues to carefully merge the material and the conceptual. Charcoal—burned wood—becomes a self-referential material from which the landscape drawing is rendered.
This beautiful and seamless unity of materiality and concept is essential for Fernández, whose practice is based in an understanding and reinterpretation of landscape and place as related to the history of people and culture. The power of Fernández’s work is to engage viewers in a kind of conceptual way finding that prompts them to think about their place in relation to her immersive work as well as to the greater world.
- Creator:Teresita Fernandez (1968, American)
- Creation Year:2017
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:Edition of 25Price: $1,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: LM255561stDibs: LU944312619142
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View AllFire (America) View 2
By Teresita Fernandez
Located in New York, NY
Edition of 25.
"Fire (America) View 2" is a new print edition related to Teresita Fernández's wall drawing "Charred Landscape (America)." Images of raw charcoal create the illusion ...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper
Freedom Gallows
By Nari Ward
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Edition of 7. Sold unframed.
Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultur...
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2010s Contemporary Figurative Prints
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Obama Can
By Nari Ward
Located in New York, NY
Edition of 25.
Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultural values or o...
Category
2010s Contemporary Figurative Prints
Materials
Lithograph
$1,500
Berkeley:Suite
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Located in New York, NY
Edition of 30, sold unframed.
This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...
Category
2010s Contemporary Abstract Prints
Materials
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Berkeley:Suite
By McArthur Binion
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Edition of 35, sold unframed.
This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...
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2010s Contemporary Abstract Prints
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Sol y dar y dad
By Cecilia Vicuña
Located in New York, NY
Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages.
For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding.
In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”).
Another edition of this work was exhibited as part of 'Cecilia Vicuña...
Category
2010s Contemporary Figurative Prints
Materials
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