
Vintage Art Etching Farm with Cow and Farmer, Famed Children's Book Illustrator
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Tibor GergelyVintage Art Etching Farm with Cow and Farmer, Famed Children's Book Illustratorc.1940's
c.1940's
$500List Price
About the Item
- Creator:Tibor Gergely (1900, Hungarian)
- Creation Year:c.1940's
- Dimensions:Height: 10 in (25.4 cm)Width: 13 in (33.02 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. a bit toned, edges worn and a little bent. should mat out nicely. Please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3825096312
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By Tibor Gergely
Located in Surfside, FL
Medium: Etching
Surface: paper
Country: United States
Signed in plate with initial G.
Black and white illustration of a landscape with farm, farmer and cow.
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Located in Surfside, FL
Medium: Etching
Surface: paper
Country: United States
signed in plate with initial G.
Black and white illustration of a landscape with farmhouse (old barn).
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Vintage Art Etching Farm with Cow and Farmer, Famed Children's Book Illustrator
By Tibor Gergely
Located in Surfside, FL
Medium: etching
Surface: paper
Country: United States
Signed in plate with initial G.
Black and white illustration of a landscape with farmhouse (old barn).
TIBOR GERGELY
Budapes...
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Mid-20th Century American Modern Landscape Prints
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American Modernist Sacsahuaman Landscape Aquatint Etching Philip Pearlstein
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Located in Surfside, FL
Philip Pearlstein (American, 1924-)
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Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft).
The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar.
In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection.
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Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
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Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.
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Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.
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