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Tim Southall
Tim Southalll, Mudlarking, Affordable Limited Editon Landscape Print

2021

$401.05

About

Mudlarking By Tim Southall [2021] Limited Edition Etching Image size: H:15 cm x W:20 cm Complete Size of Unframed Work: H:25 cm x W:30 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look At low tide on a stormy day in London, people rummage around in the muddy shores of the River Thames. Dominating the scene is the formidable Tower Bridge. These ‘mudlarkers’ are searching for scraps and broken bits of history - rummaging in the muddy shore of the river. Who knows what treasures will be discovered. Originally a mudlark was someone who scavenged in river mud for items of value, a term used especially to describe those who scavenged this way in London during the late 18th and 19th centuries. The practice of searching the banks of rivers for items continues in the modern era, with newer technology such as metal detectors sometimes being employed to search for metal valuables that may have washed ashore. ‘Mudlarking’ is an etching and aquatint made on a copper plate. It is printed on Somerset Velvet, an off white heavyweight 300 gsm handmade paper from St Cuthbert's Mill in Somerset. The print is in a limited edition of 75 and signed, numbered and dated in pencil by the artist. The image size is 15 x 20 cm on a paper size is 27 x 32 cm. Artist Bio: Tim Southall studied Fine Art at Northumbria University and then printmaking Royal College of Art and l’école des beaux art, Paris. Based in London for twenty years, he now splits his time between London and his house and studio in Cadiz Province, southern Spain. The base upon which he builds his work is metaphysics: existence, objects and their properties, space and time, cause and effect, and possibility. Using these guides, he express's how he see's and experiences the world. This he does mostly through the use of narrative within a landscape using either the human or animal form to create a narrative. He strives to make work which is delicate and shows a lightness of touch along with an eye for detail. He also uses the language of drawing and mark-making in an attempt to describe emotional depth and atmosphere.

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