Tomás Sánchez

Orilla

1994

Clare Halifax G is for Girafeei Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin p...

This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

The Gugler Lithograph Co. Chromolithograph 37 x 120 cm. (image with accompanying text)

"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

Tim Southall Deer in Winter Limited Edition Etching Edition of 75 Image Size: H 20cm x W 30cm Sheet Size: H 35cm x W 42cm x D 0.1cm Sold Unframed (Please note that in situ images are...

Paul Bartlett is a highly acclaimed artist who has won many awards for his original depictions of nature which inform and educate the viewer on conservation issues. Winter Fieldfare...