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Tiber of Marmorata, Rome - Vintage Postcard - 1980s

1980s

Fiorentini Bridge, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Christmas wishes card - is a colored vintage postcard realized in December 1968, for Christmas wishes.  Good conditions and aged. It belongs to a historical and nostalgic album inc...

Prati di Castello, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Pan and Daphnis, Naples - is a B./W. vintage postcard realized in the early 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including histori...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

Zinc lithograph on cream wove paper, 12 3/4 x 10 inches (272 x 253 mm), full margins. Signed and titled in pencil, lower margin. One work from the series titled "Salute to New York,"...

Dreamy abstract figural landscape of a metallic gold sun hung low in a purple sky with peace doves over a bright blue ocean and sailboat. In the foreground a reclining female figure ...

Beautiful and serene, this silkscreen is titled "Waiting for Sunday" by DuWayne Boyd Higgins (American, 1927-2019) is a perfect nautical piece. Titled center and signed lower right. Condition: Some foxing to paper. New acid free over-mat. Displayed in golden metal frame, shipped without glass. Image, 19"H x 24"W. DuWayne Higgins was born om 1927 on St. Patrick's Day in Faith, South Dakota, a grandson of a homestead farmer and his dad a blacksmith, his mother a hairdresser. In 1935 he moved with his family to Los Angeles. After high school, DuWayne attended Santa Monica City College as an art major for two years. He knew he wanted to be an artist at an early age. He then studied painting with Boris Deautsch at Otis Art Institute, followed by enrolling at Chouinard Art Institute (now California Institute of the Arts) where he studied under the tutorship of Richard Haines and Rex Brandt, while developing his direct and robust style. DuWayne also studied silkscreen print making (serigraphs) at Jepson Art Institute (Los Angeles) under the direction of Guy Maccoy...