Unknown

Vintage French Seascape - The Shipyard

C. 1930

Striking fine art black and white etching of an elaborate decorative element perched atop a building, circa 1920. Signed lower right. Original one-of-a-kind artwork on paper displa...

Small but finely detailed drypoint etching of a lovely scene from the Rialto Bridge in Venice, circa 1930. Titled lower right. Blind stamp lower left. ...

Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...

Warmly hued fine art color lithograph of the city skyline of the Paris Quai Malaquais by French artist René Eugene Lairy, circa 1960. Titled, signed ...

Copperplate etching Hand signed and inscribed by the artist in pencil. Image size: 13.5 x 11.5 in. Frame size: 24 x 22 in. A naturalistic color etching on paper featuring a classic ...

Hand colored, Copperplate Etching on Paper Image size: 9.5 x 9 in Frame size: 23.25 x 22.25 in. Date: 1935 An illustrative view of Saint Michael's, a Late Romanesque, early Gothic e...

Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...

"The King" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition ...