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Victor Petit
Vue du châteaux de Chenonceaux

1843

$400
£307.76
€351.69
CA$572.50
A$624.30
CHF 327.96
MX$7,482.56
NOK 4,158.84
SEK 3,870.19
DKK 2,626.74

About the Item

Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published by Bertauts, Paris. This work replicates the Ouvrié painting that was exhibited in the Salon of 1843 Condition: Excellent Image size: 5 1/4 x 8 inches Sheet size: 12 1/4 x 17 1/2 inches Reference: Not in Beraldi Provenance: Edmund Sagot, Paris (1857-1917) Maurice Le Garrec, Paris (1881-1937) By descent Victor Petit (1817-1871) is an architectural draftsman, lithographer and French writer born in 1817 in Troyes (Aube) and died in 1871 in Aix-les-Bains. He is the son of Michel Victor Petit, who became a drawing teacher at Sens College, and Marie-Rose Baltet. His younger brother, Stanislas, devoted himself to industrial and geometric drawing. He is a student of Jean-Simeon Fort , painter of battles to which he will borrow the taste of detail and great prospects. He was also a disciple of Lemercier, the famous inventor of chromolithography. From 1838, he collaborated with the Yearbook Yonne , including its scenic Guide Yonne department which will be published as itineraries for more than twenty years (1842-1864). Victor Petit collaborates regularly from 1838 to 1844 to the magazine Arts of the Middle Ages directed by Alexandre du Sommerard , founder of the museum of Cluny. He gives several plates in the atlas of the great work published under the same title. His work is highly appreciated: "The committee (Arts and Monuments) gives the highest praise to these drawings executed in a new way, specific to Mr. Victor Petit, and which allows him to accentuate, as an architect, the most minute details, the shapes of the bases and capitals. The effect and the beauty of the drawing, far from losing to this geometrical exactitude, are, on the contrary, raised with more intensity. The committee highly appreciates this method which reconciles the requirements of archeology and the quirks of the picturesque ". His father contributed to Baron Taylor's Picturesque Travels , notably to the volumes of Auvergne (1829-33), then Languedoc (1833-34-35-37), even as the lithographic genre began to become commonplace. He himself then worked as a draftsman or lithographer, in Picardy (1835-40-45), in Brittany (1845-46), in Dauphine (started in 1843, published in 1854), and in Champagne ( begun in 1841, published in 1857). He also participates, as a lithographer, in the Ancienne Auvergne of Adolphe Michel, as well as in the Vendee Monumentale and the Maine and Anjou of Baron de Wismes. He also frequents archaeologist Arcisse de Caumont. Like many "bohemian" artists of his time, Victor Petit travels a lot. He accompanies Du Sommerard twice in Italy (1840 and 1842). He will return there in 1854 with Didron the elder. In the meantime, he has published a long series of Swiss and Savoyard Chalets (at Avanzo and Gambart, at least 80 color plates), 5 views of England, Germany, and so on. The subtitle of his New Architecture (1856) specifies: Collection of modern constructions executed in France, England, Germany, Italy, drawn from nature. As his friend Challe tells us in 1856, "Every year M. Petit leaves Paris in the summer, and begins his artistic wanderings; he has already traveled a great part of Europe, pencil in hand, always observing and drawing; his cartoons contain an incredible amount of views of all kinds, no one better than he has known and designed all the monuments of Europe.
  • Creator:
    Victor Petit (1820 - 1879, French)
  • Creation Year:
    1843
  • Dimensions:
    Height: 5.25 in (13.34 cm)Width: 8 in (20.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairlawn, OH
  • Reference Number:
    Seller: FA127251stDibs: LU14017266882

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