Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

William Meyerowitz
'New York, Central Park' — 1930s American Modernism

c. 1930

$1,800
£1,360.20
€1,570.70
CA$2,515.23
A$2,790.86
CHF 1,461.91
MX$34,223.41
NOK 18,595.01
SEK 17,552.89
DKK 11,713.68
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (1/2 to 7/8 inch), the artist’s original tack holes and traces of printing ink at the sheet edges, in very good condition. Matted to museum standards, unframed. Image size 11 13/16 x 9 7/8 inches (300 x 251 mm); sheet size 13 5/8 x 11 inches (346 x 279 mm).
  • Creator:
    William Meyerowitz (1887-1981, Ukrainian)
  • Creation Year:
    c. 1930
  • Dimensions:
    Height: 11.82 in (30.03 cm)Width: 9.88 in (25.1 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1035441stDibs: LU53233934892

More From This Seller

View All
'Downtown, New York' — 1920s Modernism
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching

'Soaring New York' — 1930s American Modernism, New York City
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
Category

1930s American Modern Figurative Prints

Materials

Etching, Aquatint

'Mural Study: Lower Manhattan' — WPA Era Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...
Category

1930s American Modern Landscape Prints

Materials

Lithograph

'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

'Manhattan Old and New' — Vintage New York Cityscape
By Samuel Chamberlain
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category

1920s American Modern Landscape Prints

Materials

Drypoint

'Skyline from Jersey Heights' — 1930s Modernism
By Adriaan Lubbers
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category

1930s Modern Figurative Prints

Materials

Lithograph

You May Also Like

A ca. 1940 Etching Titled "Tip of Manhattan" by Artist Nat Lowell
By Nat Lowell
Located in Chicago, IL
A ca. 1940 etching of a view of the Manhattan skyline by artist Nat Lowell. Signed and titled in pencil, ca. 1940. Artworks size: 4 1/4" x 5 1/4". Arc...
Category

1940s American Modern Landscape Prints

Materials

Etching, Paper

1938 George Barford 'In Central Park'
Located in Brooklyn, NY
Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 7.5 x 6 inches ( 19.05 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT...
Category

1930s American Modern Prints and Multiples

Materials

Woodcut

Madison Square, N.Y.C.
Located in Middletown, NY
New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Etching

"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan
By Abraham Walkowitz
Located in New York, NY
"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan Abraham Walkowitz (American, 1878-1965) Abstract Cityscape Sight: 6 1/4' x 8 1/2 inches Mixed media...
Category

1910s Abstract Landscape Drawings and Watercolors

Materials

Paper, Mixed Media

Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Landscape Prints

Materials

Etching