Items Similar to Cadland Park in Hampshire, 18th century English country house engraving, 1780
Want more images or videos?
Request additional images or videos from the seller
1 of 3
William WattsCadland Park in Hampshire, 18th century English country house engraving, 17801780
1780
About the Item
'Cadland Park in Hampshire, the Seat of Rob.t Drummond Esq'
Engraved by William Watts (1752-1851) after George Barrett.
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views'.
160mm by 200mm (platemark)
200mm by 250mm (sheet)
- Creator:William Watts (1752 - 1851)
- Creation Year:1780
- Dimensions:Height: 6.3 in (16 cm)Width: 7.88 in (20 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Faint water stain in right hand margin outside the platemark. A few small marks and toning in margins.
- Gallery Location:Melbourne, AU
- Reference Number:1stDibs: LU1244213722962
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2005
1stDibs seller since 2019
443 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Melbourne, Australia
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Claremont, in Surrey, 18th century English country house engraving, 1782By William WattsLocated in Melbourne, Victoria'Claremont in Surry, the Seat of Lord Clive' Engraved by William Watts (1752-1851) after George Barrett. From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the ...Category
18th Century English School Landscape Prints
MaterialsEngraving
- Westminster Abbey, London. Rowland Langmaid signed artist etching printBy Rowland LangmaidLocated in Melbourne, VictoriaWestminster Abbey. Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lione...Category
1930s English School Landscape Prints
MaterialsEtching
- View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799Located in Melbourne, Victoria'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...Category
Late 18th Century Naturalistic Landscape Prints
MaterialsEngraving, Etching, Aquatint
- New South Wales, Australia, antique mid 19th century engraved John Tallis mapLocated in Melbourne, Victoria'New South Wales' With decorative border surrounds and vignettes of 'Sydney Cove'. 'The Murray' and 'Xanthorrhea'. 'Drawn and engraved by J Rapkin'. Published by John Tallis. 375m...Category
1840s Victorian Landscape Prints
MaterialsEngraving
- Westmoreland, English County Antique map, 1847By Isaac SlaterLocated in Melbourne, VictoriaSteel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...Category
19th Century Naturalistic Landscape Prints
MaterialsEngraving
- Villa di Castel Pulci del Signor Marchese Riccardi, Italy, engraving, 1744Located in Melbourne, VictoriaEngraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...Category
18th Century Naturalistic Landscape Prints
MaterialsEngraving
You May Also Like
- Rainy Night in RomeBy Sir Muirhead BoneLocated in Fairlawn, OHRainy Night in Rome Drypoint, 1913 Signed in pencil and titled in the lower margin by the artist (see photo) Provenance: Kennedy Galleries, Stock # A6538 Reference; Doddgson 299 _/X Total edition in 10 states 125 printed Note: The scene depicts the Church of San Rocco on the right at the intersection of via Schiavoria and via di Ripetta. Guichard considers this image to be among the artist's most desirable. Condition: Exceptional, rich impressions, printing with extensive burr. Printed on a medium weight Japanese paper. Image/Plate size: 12 x 9 inches Sheet size: 15 7/8 x 11 inches Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum. Early life Muirhead Bone was born in Partick, Glasgow. His parents were journalist David Drummond Bone (1841–1911 and Elizabeth Millar Crawford (1847–1886). The Bone and his siblings attended the local Board school and were placed in apprenticeships from the age of fourteen. James Bone...Category
1910s English School Landscape Prints
MaterialsDrypoint
- View of the New Trinity House on Tower HillLocated in Middletown, NYLondon: Laurie & Whittle, 1799 Engraving on buff wove paper, 10 3/4 x 15 3/4 inches (271 x 338 mm), uneven narrow to wide margins. Soft vertical fold at the center sheet (as issued)...Category
Late 18th Century English School Landscape Prints
MaterialsEngraving, Handmade Paper
- Ceiling plan of Crosby Hall, Bishopsgate StreetLocated in Middletown, NYRobert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...Category
Early 19th Century English School Landscape Prints
MaterialsEngraving, Watercolor, Handmade Paper
- English School, 19th Cent. –An Interior View of the Porch ... Church St. AlphageLocated in Middletown, NYAn Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...Category
Early 19th Century English School Landscape Prints
MaterialsEngraving, Handmade Paper
- The plan of St. Martin's Church, St. Martin in the FieldsBy George VertueLocated in Middletown, NYLondon: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...Category
Mid-18th Century English School Landscape Prints
MaterialsHandmade Paper, Engraving
- The South East Prospect of Westminster BridgeBy Alfred Benjamin ColeLocated in Middletown, NYAfter Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...Category
Mid-18th Century English School Landscape Prints
MaterialsEngraving, Watercolor, Laid Paper