Lothar-Günther Buchheim

In Coke we trust

1968

Lothar Gunther Buchheim (* 1918 † 2007) Title: Joy to the world Color lithograph Year: 1968 Signed by hand Size: 24.0 × 16.8 inches Lothar-Günther Buc...

Lothar Gunther Buchheim (* 1918 † 2007) Title: Make Money Color lithograph Year: 1968 Signed by hand Size: 24.0 × 16.8 inches Lothar-Günther Buchheim ...

Hans Juergen Diehl 2. Ebene Year: 1971 Medium: Color Etching Edition: Proof (P) Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl w...

Hans-Jürgen Diehl Vorfuehrung Year: 1971 Medium: Color Etching Edition: 20 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bo...

Color lithograph, Ed. 30 Chagoya's newest prints, "Invites Into the World of the Eternal Instant" and "Expresses Nothing but the Self", are concerned with the current unsustainabl...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...

"Plus Value" is a lithograph created by German artist Klaus Geissler in 1967. This artwork was part of the sixth and final edition of The Situationist Times, an international periodical edited by Jacqueline de Jong...

Jack Pot is a lithograph on paper, 9.5 x 6.25 inches image size. From the edition of 395, numbered 266/275 (there were also 100 Roman and 20 AP). Framed in a contemporary, silver-ton...