'Luc Tuymans Graphic Works 1989-2012'

2012

Paper Size: 23.75 x 18.25 inches ( 60.325 x 46.355 cm ) Image Size: 15.75 x 13.25 inches ( 40.005 x 33.655 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Paper Size: 29 x 22 inches ( 73.66 x 55.88 cm ) Image Size: 22.25 x 17.25 inches ( 56.515 x 43.815 cm ) Framed: No Condition: A: Mint. Additional Details: Screen-print on Rives Arc...

This original color lithograph, designed by Pablo Picasso, was created for the opening of the Los Angeles County Museum of Art (LACMA) in 1966. Printed by the renowned Mourlot printi...

Exhibition poster for the Walter Libuda exhibition titled "Karawane" originally held at The New National Gallery in Berlin during the months of August - September 1992.

Lux Tuymans (Belgian, b. 1958) Superstition, 2005 Medium: Screenprint in 5 colors on Somerset paper Dimensions: 40 x 32 cm Edition of 100 + 5 A.P.: Hand-signed and numbered in pencil...

The Worshipper, 2004 by Luc Tuymans is a large format silkscreen limited print edition of 100. Each is signed and numbered by Luc Tuymans and comes with a special edition monograph o...

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...