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Mark Rothko
2005 Mark Rothko 'Blue & Gray' no text

2005

Price:$60

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'Red, Yellow, Blue' 2005-
By Ellsworth Kelly
Located in Brooklyn, NY
This reproduction of Ellsworth Kelly's iconic work "Red, Yellow and Blue" (originally created in 1963) exemplifies his mastery of color, form, and minimalist abstraction. Published b...
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Early 2000s Abstract Abstract Prints

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'Red, Yellow, Blue' 2005-
$140 Sale Price
20% Off
Albert Marquet 'Fenetre a la Goulette' 1990- Offset Lithograph
By Albert Marquet
Located in Brooklyn, NY
Albert Marquet's "Fenêtre à la Goulette," painted in 1926, captures a serene scene viewed through an open window. In the foreground, a vase brimming with vibrant flowers rests on the...
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1990s Abstract Expressionist Prints and Multiples

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Daniel Humair 'Roland Garros French Open' 2004- Poster
Located in Brooklyn, NY
Galerie Le Long Paris, 2004 French Open Paper Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Image Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Framed: No Condition: A: Mint Shipping an...
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Early 2000s Abstract Expressionist Prints and Multiples

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John Held 'Martha's Vineyard' 2023- Offset Lithograph
Located in Brooklyn, NY
This vibrant reproduction celebrates a classic travel poster originally created by John Held to promote the New York, New Haven and Hartford Railroad Co. and the idyllic charm of Mar...
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2010s Abstract Expressionist Prints and Multiples

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Richard Avedon 'Marlborough' 1975- Offset Lithograph
By Richard Avedon
Located in Brooklyn, NY
The 1975 exhibition at Marlborough Gallery in New York, titled Richard Avedon, Photographer, marked a pivotal moment in Richard Avedon's career and in the broader acceptance of photo...
Category

1970s Abstract Impressionist Prints and Multiples

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Mark Rothko 'Untitled, 1969'
By Mark Rothko
Located in Brooklyn, NY
This exquisite reproduction of Mark Rothko's Untitled, originally painted in 1969 using oil on cardboard, showcases the artist's masterful use of pastel colors. Distributed by New Yo...
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1990s Abstract Prints and Multiples

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Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank Stella
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Artist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...
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