Archival Pigment Prints and Multiples

Yoshi Toshida (Japanese, 1911-1995), Monument Valley, 1971 Woodblock in colors Pencil signed lower right, titled lower left. Dated and titled in Japanese left margin. Image: 11.75 x ...

Yves Saint Laurent ( 1936 -2008 ) LOVE 1974 . Impression Offset en couleurs . 50 x 40 cm Non Entoilée . Parfait état . " 1970" Naissance des LOVE , Yves Saint Laurent dessine la prem...

A vintage David Hockney exhibition poster - this is not a later reproduction.

Dawoud Bey Two Girls at Lady D’s, Harlem, 1976: “I spent five years in the mid-to-late 1970s making photographs in Harlem, New York. It was the first project I undertook at the beginning of my career. I was led back there by my family’s history in the neighborhood: my mother and father had met in a church in Harlem and eventually got married. When I was born several years later, they moved to Queens, to a house with a front yard and backyard, something more spacious than the Harlem apartment they had in Sugar Hill. But we continued to visit the neighborhood, as various friends and family still lived there. In 1975 I decided to ‘return’ to the community where I had never lived, but had a deep connection to, to make photographs. I encountered these two young girls one afternoon on Seventh Avenue near West 138th Street. When I asked if I could make a picture of them in front of this establishment, they joyfully struck an exuberant pose for me, full of all of the energy and expressiveness of youth.” —Dawoud Bey Archival inkjet print
. Dimensions: 8 x 10 inches
 including boarders. Image size 6.3 x 9.4 inches
. Signed and numbered from edition of 70 and 5 Artist’s Proofs
 by the artist to the affixed label on reverse. Excellent overall condition. Published by Aperture Foundation NY. Printed by Laumont Editions in New York. Literature/References: Dawoud Bey on Photographing People and Communities, a volume of The Photography Workshop Series, published by Aperture in 2019. Dawoud Bey was born as David Edward Smikle on November 25, 1953, in the Jamaica neighborhood of Queens, New York. Bey received a BFA in Photography from Empire State College in 1990 and then later finished his masters degree at the Yale University School of Art. At the age of fifteen, Bey was given his first 35 mm camera. However, his prestigious career as a photographer did not begin until 1975. Inspired particularly by the photographer James VanDerZee, featured in the exhibition "Harlem on My Mind," Bey began exploring with documentary style photographic techniques. The resulting series of black and white photographs, Bey's "Harlem, USA" collection, chronicled urban life in the famous African American community and was later exhibited at the Studio Museum in Harlem in 1979. Bey has experimented with many innovative approaches and photographic traditions. Whatever his technique, he uses his artwork as a platform to challenge stereotypical images of African Americans and other historically marginalized groups. Since 1992, Bey has completed a number of collaborative projects, working with young people, museums and cultural institutions to broaden the participation of various communities whose voices have often been absent in these institutions He has had numerous exhibitions worldwide, at such institutions as the Art Institute of Chicago, the National Portrait Gallery in London, the Wadsworth Atheneum in Hartford, Connecticut, and the Whitney Museum of American Art, where his works were also included in the 2000 Whitney Biennial. The Walker Art Center organized a mid-career survey of his work in 1995 that traveled to institutions throughout the United States and Europe. Bey's works are included in the permanent collections of numerous museums around the world. He is currently a professor of photography at Columbia College in Chicago, Illinois (courtesy of the history makers). Related Categories Harlem photograph. NYC photograph...

Colorful abstract figurative serigraph by New York City artist LeRoy Neiman. This serigraph depicts six basketball players "in action" during a tournament against a bright light orange background. Signed by the artist at the lower right corner. Framed and matted in a gold wooden modern frame. Dimensions Without Frame: H 30.13 in. x W 22.25 in. Artist Biography: LeRoy Neiman was born in Saint Paul, Minnesota, on June 8, 1921, to Lydia Serline and Charles Runquist. When LeRoy was five years old, his father left, abandoning the family. Taking the last name of Lydia’s second husband, John Neiman, LeRoy grew up in Saint Paul’s hardscrabble, blue-collar neighborhood of Frog Town. He showed an early knack for drawing—and selling. Creating posters for local merchants to advertise their store sales, LeRoy peddled his work for a nickel apiece. He picked up extra change by drawing ink tattoos on the forearms of his schoolmates. Leaving Saint Paul for the U.S. Army, Neiman worked as an army cook, painted sets for Red Cross shows, and created bawdy murals on the walls of World War II mess halls...

Original Print of "Follies" promotional poster. Signed titled and dated by the artist, David Edward Byrd with a letter of authentification signed by the artist.

This stunning Serigraph was realized by the acclaimed 20th Century Hungarian-French modern Artist Victor Vasarely in the United States circa 1970. Printed in a small edition, this gr...

This stunning Serigraph was realized by the acclaimed 20th Century Hungarian-French modern Artist Victor Vasarely in the United States circa 1970. Printed in a small edition, this gr...

Dennis Morris "Sid Vicious - Sweden", 2018 Original Pigment Print, on hand made cotton paper 31 2/5 × 23 4/5 in 79.8 × 60.5 cm Edition of 30 Numbered and signed by hand COA provided It was Dennis's photos of Marley that caught the eye of the young Johnny Rotten. Rotten, a massive reggae fan, had long admired Dennis's work and requested that he take the first official shots of the Sex Pistols upon signing to Virgin Records. Still in his teens, Dennis was the same age as the Pistols and they soon learned to trust him completely, allowing him unrestricted access to their strange and chaotic existence. For a year, Dennis trailed the band, taking hundreds of undisputed classic shots of the band. The only photographer to put the Sex Pistols fully at ease in front of the lens, Dennis's work with the band established, not only their public image, but also Dennis's position as one of the most exciting and striking music photographers in the country. ---------------------- Dennis Morris started his career at an early age. He was 11 years old when one of his photographs was printed on the front page of the Daily Mirror. A camera fanatic since the age of 8, Dennis was known around his East End neighbourhood as Mad Dennis, due to his preference for photography over football. After inadvertently stumbling across a particularly feisty demonstration by the PLO one Sunday, the sharp young Dennis took his film to a photo agency on Fleet Street who promptly sold it to the Daily Mirror for £16. Accustomed to raising money for films and camera parts by taking photos of christenings and birthday parties, Dennis was suddenly on to something; his hobby and all-consuming passion could be done for a living. It was whilst bunking off school to wait for Bob Marley to arrive for soundcheck at the Speak Easy Club on Margaret Street, that Dennis's music photography career really began. Marley, quite taken with the young teenager who was waiting for him, invited Dennis to come along and take pictures on the remainder of the tour. Running home to Dalston, Dennis packed his bag and jumped on the bus. His photographs of Marley and The Wailers became famous the world over, appearing on the cover of Time Out and Melody Maker before Dennis had even turned 17. When the Pistols split it was Dennis who accompanied John Lydon...

"Candy Swirl" print from "Abstract Composition" Color lithograph published by Maeght, 1971. It was published in a book with other Alexander Calder works...

Dennis Morris Title: Bob Marley - Kaya Medium: Original Pigment Print, on hand made cotton paper Year: 2018 Signed and numbered by hand Edition: 30 Size: 23.8 × 16.2 on 31.4 × 23.8 inches It was Dennis's photos of Marley that caught the eye of the young Johnny Rotten. Rotten, a massive reggae fan, had long admired Dennis's work and requested that he take the first official shots of the Sex Pistols upon signing to Virgin Records. Still in his teens, Dennis was the same age as the Pistols and they soon learned to trust him completely, allowing him unrestricted access to their strange and chaotic existence. For a year, Dennis trailed the band, taking hundreds of undisputed classic shots of the band. The only photographer to put the Sex Pistols fully at ease in front of the lens, Dennis's work with the band established, not only their public image, but also Dennis's position as one of the most exciting and striking music photographers in the country. ---------------------- Dennis Morris started his career at an early age. He was 11 years old when one of his photographs was printed on the front page of the Daily Mirror. A camera fanatic since the age of 8, Dennis was known around his East End neighbourhood as Mad Dennis, due to his preference for photography over football. After inadvertently stumbling across a particularly feisty demonstration by the PLO one Sunday, the sharp young Dennis took his film to a photo agency on Fleet Street who promptly sold it to the Daily Mirror for £16. Accustomed to raising money for films and camera parts by taking photos of christenings and birthday parties, Dennis was suddenly on to something; his hobby and all-consuming passion could be done for a living. It was whilst bunking off school to wait for Bob Marley to arrive for soundcheck at the Speak Easy Club on Margaret Street, that Dennis's music photography career really began. Marley, quite taken with the young teenager who was waiting for him, invited Dennis to come along and take pictures on the remainder of the tour. Running home to Dalston, Dennis packed his bag and jumped on the bus. His photographs of Marley and The Wailers became famous the world over, appearing on the cover of Time Out and Melody Maker before Dennis had even turned 17. When the Pistols split it was Dennis who accompanied John Lydon...

In 1976 Parasol Press, a leading New York City print studio, collaborated with the then Curator of Prints at MoMA to put together a portfolio of small but affordable and impactful prints. An impressive group of 13 artists participated in the project, including Chuck Close, Sol Le Witt...