Etching Prints and Multiples

Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...

Etching on paper realized by Giovanni Omiccioli in 1974. Hand signed, dated and numbered. Edition of 80. Very good condition.

The Circulatory System is a original etching realized as plate no. 124 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a m...

This artwork "Sans Titre II" c.1980 is an original color etching with aquatint on Arches paper by noted French abstract expressionist artist Francois Rouan...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published in 1799. Etching on paper. The etching is part of the rare First Edition of "Los Ca...

Pink Composition is an original artwork realized by Mark Tobey in 1972. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right. Numbered on th...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Medium: original etching and and aquatint with drypoint. Catalogue reference: Delteil 97. Executed in 1891, this lovely impression is from the edition on cream wove paper published i...

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Salvador Dali (Spanish, 1904-1989), "Le Dos Divin de Gala" [Gala's Divine Back], Drypoint Etching with Pochoir, 1974, from "After 50 Years of Surrealism", published by Atelier Rigal,...

Self-Portrait is an etching realized by Edouard Dufeu (1840-1900). Proof artist, good condition, included a white cardboard passpartout (49x35 cm). Sig...

A graceful etching and aquatint with hand-coloring by renowned French artist Louis Icart (1888–1950) titled Spring Blossoms, created in 1932. The composition depicts an elegant young...

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LIII, p. 396 Copper engraving, 1771 edition This finely engraved anatomical plate presents a detailed study of the male reprod...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

Le Chat Domestique is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

Nestor Arenas (Cuba, 1964) 'Carpeta cubana', N/A silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 ID: ARN1205-001-100_7 Hand-signed by author Unframed

Salt Marsh by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)

Etching realized by Franco Marzilli in 1990s. Hand signed in pencil. Hand colored in pastels. Artist proof. Very good condition.

John Copley (1875 - 1950) Birds at Evening 1932 Image: 15 x 21.2 cm Frame: 33.0 x 38.2 cm Painter and printmaker John Copley was born in Manchester in 1875. He trained at Mancheste...

Jim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate seven from Self Portraits (1971) port...

Etching on laid paper Signed in plate lower left: Justin Gabriel Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

This print depicts a hand adorned with ornate jeweled rings, printed in teal turquoise. Underneath the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of Dorian Gray...

Etching in black ink on laid paper Printer: Delâtre, Paris La Vieille Aux Loques represents an elderly woman seated and wrapped in worn clothing,...

Artist: Anthony van Dyck, After by Amand Durand, Flemish (1599 - 1641) - Portrait de Jean Breughel, Medium: Heliogravure, Size: 9.75 x 6 in. (24.77 x 15.24 cm), Printer: Amand Dura...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Gustavo Perez Monzon (Cuba, 1956) 'Untitled', 2018 etching, aquatint on paper Velin Arches 300 g. 42.2 x 31.5 in. (107 x 80 cm.) Edition of 40 ID: MOZ-101 Unframed

7th Avenue Canyon Etching, 1927 Signed and titled in pencil by the artist (see photo) Depicts what was then referred to s the Garment Disctrict in New York City. References And Exhib...

This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...

Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...

Head of Oedipus is an etching print on paper realized by Giacomo Manzù in 1970. Hand-signed and numbered. Edition of 125 prints. Published in the series of artwork: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Good conditions. Giacomo Manzù (Bergamo, 1908- Ardea, 1991), pseudonym of Giacomo Manzoni, was a famous Italian artist and sculptor. He devoted himself to sculpture, but also to drawings, etchings and paintings, often centered on female models...

Artist: Salvador Dali Title: The sun Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image Size: 15...

Rowland Langmaid (1897-1956) Tower of London from the Thames, Academy Proof Print. Signed in pencil with blind stamp. Image size: 27 x 20.5cm.

Medium: mezzotint. Engraved by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed in 1924 on chine-collé paper (china paper mounted...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Maitre E.S., After by Amand Durand, German (1420 - 1468) - La Patene, Year: circa 1878, Medium: Heliogravure, Size: 8 x 7.5 in. (20.32 x 19.05 cm), Printer: Amand Durand, Descripti...

Hank Laventhol, American (1927 - 2001) - Ripe Sky, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, Image Size: 16 x 24 inches, Size: 22 ...

This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Hand signed and numbered. Edition of 40 prints. Reference: Catalogue Battisti n.59. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...

Marc Chagall Fables : Death and The Lumberjack, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the ga...

Auguste RODIN (after) Dante, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of authent...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Etching and drypoint realized by Auguste Mongin in 1878, after Meissonier. Early proof before the letter, with the stamp of the publisher Petit. The subject was published on the Ma...

Etudes en Languedoc is a black and white etching realized by Francisque de Saint-Etienne (1824-1885) in 1870s. Titled in the lower. Top image size: 16cmx11cm. Image below size: 15...

Artist: Terry Winters, American (1949 - ) Title: untitled 5 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Medium: Etching and aquatint Year: 2005 Image Size: 9 x 36 inches Sheet Size: 48 x 16 inches A strong abstract image using a mix of intaglio techniques, 4 feet in height. This is a ...

Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...

Artist: Pablo Picasso Title: Oval Head with Dividing Line (Plate XXIX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Siz...

Salvador Dali (1904-1989) - Kumo (The weaver spider) Drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of work: 66 x 52 cm. Ha...

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito) is an artwork realied by Francisco Goya y Lucientes, 1867. Paris: Delâtre, 1867. Etching and burin. cm. 10.5x8.4.Sheet 21x16.2. Excellent proof of III state and first edition after the appearance of the letter and the bevel of the plate, published in the Gazette des Beau-Arts, vol. XXII, p. 196. Ref. Harris 26 Intact sheet with wide margins. Slight exposure yellowing around image. Francisco José de Goya y Lucientes (Fuendetodos, March 30, 1746 - Bordeaux, April 16, 1828) was a Spanish painter and engraver. Considered the pioneer of modern art, he was one of the greatest Spanish painters who lived between the late eighteenth and early nineteenth centuries. His paintings, drawings and etchings of him reflected the ongoing historical upheavals and influenced the most important contemporary and following century painters. Goya is often referred to as the last of the old masters and the first of the moderns. Born into a middle-class family in 1746 in Aragon, he was a pupil of painting from the age of 14 to José Luzán y Martínez, later moving to Madrid to study with Anton Raphael Mengs. In 1786 he became court painter to the Spanish crown and this first part of his career was characterized by numerous portraits of members of the Spanish aristocracy and royal family, as well as by the production of rococo tapestries for the royal palace. In 1793 he suffered from an undiagnosed serious illness which left him deaf, after which his work became progressively darker and more pessimistic. His subsequent paintings seem to reflect a bleak vision of existence, which contrasts with his resounding social ascent: in 1799, in fact, he became Primer Pintor de Cámara (First Court Painter), the highest rank for a Spanish court painter . In late 1799, commissioned by Godoy, he completed his Maja desnuda, a remarkably bold nude for the time and clearly inspired by the style of Diego Velázquez. In the early 19th century he painted The Family of Charles IV, again influenced by Velázquez. In 1807, Napoleon led the Grand Army in the Peninsular War against Spain. During the conflict Goya remained in Madrid and, although he never expressed his thoughts in public, it seems that these facts affected him deeply, as can be seen from some of his works such as The Disasters of War, The 2nd of May 1808, The 3rd May 1808. Other works of his maturity include a wide variety of paintings concerning madness, asylums, witches, fantastic creatures, and religious and political corruption, which suggest that he feared for his mental and physical health. His later period culminates with the Black Paintings of 1819-1823, made in the Quinta del Sordo, his home on the outskirts of Madrid where he lived, disillusioned by political and social developments in Spain, in a situation of almost isolation. Finally, in 1824, Goya decided to abandon Spain to retire to the French city of Bordeaux...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

'German Wolf Trap' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports'. Sam...

La obra va firmada a mano por el artista y con justificante, que en este caso es el número 3 sobre un tiraje de 99 ejemplares Se presenta enmarcada la obra (se enviará sin cristal p...

'German Manner of Netting Partridges' Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...

Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.