Etching Prints and Multiples

Marc Chagall (1887-1985) A Festive Table (A Table Full of Food), 1948 Original etching Printed signature in the plate Unnumbered edition limited to 368 copies On Arches Vellum 37...

Artist: Josef Eidenberger (1899-1991) Title: Lermoos Year: ca. 1960 Medium: Color Etching Plate size: 11.5 x 13.75 inches Framed size: 22.5 x 24.75 inches Signature: Signed, lower r...

Carborundum Etching, artist signed edition 10/30, 60"h x 40" new black wood frame under plexiglass. Pierre Marie Brisson French b. 1955 - one of the most talented contemporary art...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 232/300 Printer : Crommelynck (Paris) Catalog : Maeght 1713 56.00 cm. x 65.00 cm. 22.05 in. x 25.59 in. (paper) 39.00 cm. x 48.00 cm. 15.35 in. x 18.9 in. (image) After Miro...

An original mixed media Photo Etching, Aquatint and Drypoint Printed on Arches Cover titled Leap Fail Leap, created by the artistic collaboration of Robert Flemming and Mizin Shin. ...

Marc Chagall (1887-1985) The Russian Tavern (Meal at the Traktir), 1948 Original etching Unsigned Unnumbered edition limited to 368 copies On Arches Vellum 28 x 37.5 cm (c. 11 x ...

Marc Chagall (1887-1985) Tchitchikov's Dreams, 1948 Original etching Printed signature in the plate Unnumbered edition limited to 368 copies On Arches Vellum 37.5 x 28cm (c. 14.6...

Charles Donker Pinecone I 19 x 19,03 (Framed included in price, 44 x 41 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and abr...

Badger Studies is an original etching by Will Taylor. It explores animal images and mathematics, including engineering analysis of tunnel linings. Each impression is marked on the re...

"Chicago" Broadway Musical Tony Award Signed by Ann Reinking & Bebe Neuwirth Al Hirschfeld (1996) "Chicago" Lithograph on heavy paper Sight: 20 x ...

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Untitled VII Year: 1984 Medium: Etching, signed and numbered in pencil Edition: PP Image Size: 24 x 17.75 inches Paper Size...

Autumn Heath is a contemporary landscape print by Phil Greenwood. The vibrant, warm leaves of the trees are broken up by the bold tree trunk and the background. Additional Informati...

Girl is an original etching artwork on paper, realized by an Anonymous artist of the Early 20th Century. The state of preservation of the artwork is good. The artwork represents a...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered,

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

Ugo Rondinone The Sun Artist: Ugo Rondinone Title: The Sun Medium: Archival pigment ink print on Innova Etching Cotton Rag 315 gsm with Deluxe Rizzoli Hardcove...

ARTIST: Salvador Dali TITLE: L'Alchimie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Joseph Foret EDITION NUMBER: 31/5 MEASUREMENTS: 22.25" x 30" YEAR: 1972 FRAME...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

Artist: Hirst, Damien Title: Liberty Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43....

Summer. Paper, etching, 10/50., 31x41 cm Josif Elgurt (1924-2007) Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has lived in Riga ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Richard Wagner Etching, c. 1880 Signed in the plate (see photo) Edition: c. 200 impressions Condition: mint Image/Plate size: 6 5/8 x 4 3/4 inches Sheet size: 14 3/8 x 10 7/8 inches ...

Vivid color aquatint with hand coloring in watercolor by Howard Hodgkin, from a limited edition of 50. Initialed by Hodgkin, dated and numbered in pencil. Printed by Andrew's Print...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State...

Salvador Dali - The Violet Boot - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field ...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition. 

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Framed: 39 3/8 x 30 1/8 x 1 1/2 inches, 3/4 inch face, Wood frame Wayne Thiebaud was born Mesa, Arizona in 1920, and his family soon moved to Los Angeles in 1921. In high school he ...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Le Sculpteur by Pablo Picasso is a compelling and refined representation of the artist at work. The composition focuses on a sculptor figure, reduced to essential lines and forms, ye...

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Curse Conquered MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.75" x 26" YEAR: 1974 FRA...

Color aquatint, spitbite aquatint, flatbite and softground etching with white gold leaf. Paper Size: 28” x 54” Image Size: 24” x 50” Edition of 35

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

This etching with aquatint was created by Peruvian artist Claudio Juarez (1938-2001). Juarez was a master printer, traveling extensively throughout the world and creating over 7,000 ...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: La Danse de la Mort - Planche 1-8 Year: 1972 Medium: Suite of 8 Aquatint Etchings, Each Signed and numbered in pencil Edition: 41/...

Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 From the rare additional suite of 100 aside from the edition of ...

Gerald Brockhurst, L’Eventail (The Fan), etching, 1926, signed in pencil, from the edition of 76. Reference: Fletcher 22, Wright 22. In good condition, on cream laid paper with margins (a thin spot inherent in paper lower margin near edge), the matrix pristine, archival matting. A fine impression of this small but impressive demonstration of Brockhurst’s mastery of etching. The woman carrying the fan is of course Brockhurst’s favorite model, at least at this time, his wife Anais. She wears an embroidered coat which allows Brockhurst to display his capacity to capture complex textures with the etching needle – much as his predecessor Wenzel Hollar used women’s furs...

Medium: original etching with drypoint. Catalogue reference: Schneiderman 98. Executed in 1865; this is a rich, dark impression on laid paper with full original margins from the 1872...

This elegant and iconic original print, created by Jasper Johns in 1981 as a lightly colored etching, Untitled (Red Yellow Blue) is hand-signed, dated,...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...

GEOGRAPHY, WEST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

Music Box Bird Tighe O’Donoghue, American (1942) Date: circa 1980 Etching with Aquatint, signed and numbered in pencil Edition of 200 Image Size: 20 x 15.5 inches Size: 25.5 in. x 20...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

ARTIST: Salvador Dali TITLE: Le Decameron L'ange Gabriel MEDIUM: Etching on Japon Paper SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Pamela Verlog EDITION NUMBER: XIX/X...

ARTIST: Salvador Dali TITLE: Plage de Cadaques MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: Epreuve d'Artiste MEASUREMENTS: 26" x 19.75" YEAR: 1967 FRA...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

Hans BELLMER (1902-1975) Fantastic Creature Original etching, 1973 Handsigned in pencil by the artist On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Portfolio "Les Mys...

Hayter, Stanley William. MATERNITY AILEE. 1948. B&M 187. Engraving, Etching & Aquatint, printed in colors. Edition of 50, signed, dated 1948, titled and numbered. 13 5/8 x 7 15/16 in...

James Abbott McNeill Whistler (American, 1834-1903) Little Court, 1880-1 Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow), 4 3/4 x 6 3/4 ...

Charlie Davies From the depths Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping...

Salvador Dali (1904-1989) - Les Tiroirs Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik Eu...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Glass Tower II from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching o...

Tim Southall Deer in Winter Limited Edition Etching Edition of 75 Image Size: H 20cm x W 30cm Sheet Size: H 35cm x W 42cm x D 0.1cm Sold Unframed (Please note that in situ images are...

Philip Pearlstein (American, 1924-2022) Stonehenge Landscape Sugar Lift Aquatint Etching with Roulette on Rives BFK Paper, 1979 Series: Ruins and Landscapes Printer: Orlando Condesso Printer: Nancy Brokopp Medium: Sugar-lift aquatint with roulette Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...