Paper Prints and Multiples

iPad drawing on German Etching Matt Fine art- paper of archival standard. This mould-made etching paper features a distinct textured surface. Printed from the original digital file....

Original vintage travel poster promoting Blackpool as a holiday destination, published by British Railways. Bright and sunny aerial view over a beach in Blackpool with couples and fa...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

Sea Shell Motel, photographed at dusk as part of Richard Heeps 2013 'Wildwood Days' series. This captures one of the iconic Motel signs in the historic Doo-Wop town of Wildwood. Thi...

ABOUT THIS PIECE: "This particular series is a an homage to photographs taken with film. They are the result of an aberration of light passing through a locked shutter and the camera...

Original vintage travel poster advertising L'Extreme-Orient Voyagez par BOAC / Far East Fly by BOAC. Great mid-century design featuring the back of a rickshaw numbered 326 in the for...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Palm Springs ( Water ) by Frank Schott 40 x 32 inches ( 132 x 81cm ) edition of 25 signed 60 x 48 inches ( 152 x 122 cm ) edition of 7 signed 72.5 x 58 inches ( 184 x 147 cm ) e...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

This picture, 'Shooting Alley', taken in Ho Chi Minh City, has layers symmetry, depth, structure and tone which draw you in. This artwork is a limited edition of 25, gloss photograp...

David Collins earned a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions in New York, and has exhi...

Red Ball, 2018, From the Series "Why This Restlessness?" by Casey Waterman Archival Color Print Image Size: 17 in. H x 24 in. W Sheet Size: 24 in. H x 30 in. W Edition of 5 + 1AP O...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

Impactful abstract serigraph using vivid colors of green and orange to accentuate a bold black by artist Reverdy, circa 1970. Signed lower right, n...

Nature and Oceanic inspired blue archival digital print 1/9. The image is from the artist's 'Blue Nocturne' series. A beautiful sea or ocean blue abstract image. Signed and editioned...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Viktorija Pashuta "VOGUE Fashion" photography Original Fashion Photograph from the Series CASABLANCA by an award-winning fashion photographer Vikto...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

ABOUT THIS PIECE: Ludwig continues his exploration of his favorite city, Paris with a new series featuring stunning Parisian pools. These public and private spaces display the beauti...

Original vintage movie poster for the award winning American drama voted Best Picture at the Cannes Film Festival 1976 (also Oscar nominated for four Academy Awards including Best Pi...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product s...

ABOUT THE PIECE: The Colorsafe paintings are an exploration of the use of color and pattern. They are constructed from 'vintage' catalogs of the late 1960s / early 70s, a particularl...

Original vintage advertising poster for Priceless Oil: Motorists! Here is Priceless-Oil Use it! and your engines will be forever young / Automobilistes! ...

Original vintage advertising poster for the express air delivery service by Air Bleu poste aerienne rapide. Fantastic Art Deco design by the French artist Roger Chapelet (1903-1995) ...

Playful abstract serigraph of a pastel hued couple in mid dance move, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and ...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Stunning figural abstract silkscreen titled "Rock" by Dean Snyder (American, b. 1953). Artist's Proof 1990. Titled, signed and dated lower edge. Presented in mat, unframed. Image Si...

Original vintage sport advertising poster in French: Winter Sports – Happiness and Health / Sports d'Hiver – Joie et Sante. Great image by Edi Hauri (1911-1988) of a smiling young la...

Delightful and bright aquatint etching of a sweet faced sun rising over a red terrain by Mexican artist Lidoyne, 2009. Signed and dated lower right, titled lower center, numbered 1 o...

Original vintage British World War Two poster - Careless talk may cost his life Don't talk about aerodromes or aircraft factories - featuring a black and white photo of a smiling Roy...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Original vintage travel advertising poster for B.O.A.C. Hermes Speedbird an aircraft type in the Speedbird fleet. Great image featuring a technical cut-out plan drawing of the brand ...

Rare early original advertising poster for Toyota. Colourful mid-century image on a blue and white background featuring two men wearing short sleeved shirts and caps, off-loading wooden crates from a yellow pick up truck...

Original vintage travel advertising poster: A.B. Aerotransport Swedish Air-Lines VI Flyver. Great image by Ernst Mentze showing an elegant lady wearing a f...

Artist: Francesco Londonio (Italian, 1723-1783) Title: "Woman Spinner and a Shepherd with Flock" *Signed and dated by Londonio in the plate (printed signature) upper right Year: 1759 (first state of two) Medium: Original Etching on blue wove handmade paper Limited edition: Unknown Printer: Unknown Publisher: Likely the artist Londonio himself Reference: Scola No. 13 Sheet size: 7.25" x 5.5" Image size: 6.75" x 5.25" Condition: Presently archivally tipped into a storage mat. Some light foxmarks to sheet. Minor crease across the two sheeps' heads. It is otherwise a strong impression in very good condition Very rare Notes: The plate number "12" printed upper right in margin. "Sammlung Hämmer (Hammer Collection)" inkstamp in green on verso lower center. Biography: Francesco Londonio (Milan, 1723 – Milan, 1783) was an Italian painter, engraver, and scenographer, active mainly in Milan in a late-Baroque or Rococo style. Londonio trained as a painter under Ferdinando Porta and Giovanni Battista Sassi in Milan, but traveled to Rome and Naples. He studied engraving with Benigno Bossi. He is best known for his paintings and ectchings of rustic and pastoral landscapes and subjects, with both animals and peasants playing a dominating role over the landscape. This focus on genre themes was popular among the wealthy patrons of the time, specially in Northern Italy; and artists such as the Brescian painters Ceruti and Cifrondi worked with such themes. In his engravings, he recalls Gaetano Zompini. Londonio is also known for his scenography. An example, of this poorly conserved art form that still exists is a nativity scene on cut wooden shapes for the church of San Marco in Milan. The effect is a cheaper version of the naturalistic Sacri Monti scenes, which had been painted stucco statuary. It also can be seen as a cross between the holy scenes described above, and the theatrical set pieces, for example, those needed for the newly founded La Scala theater. The work at San Marco prompted Empress Maria Theresa of Austria...

Original vintage advertising poster published by Shell to celebrate 9½ miles up world's height record established by the Royal Air Force RAF using both fuel and oil supplied by Shell...

Represented by George Billis Gallery, NYC & LA -- Working with images he personally photographs, Magsig looks for crucial details in both the highlights and the shadows, in the brig...

Erik Bulatov (born in 1933 Ekaterinburg) “ Freedom is Freedom II “ Colour serigraphs/somerset satin laid paper. 33/100. On the reverse of the frame with the edition numbering and tw...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...

3-D Mixed Media Assemblage Hunt Rettig is known for his analog 3D assemblages that produce the illusion of 2D, backlit, digital illustrations. Rettig’s process-based discipline is a continual quest to transform quotidian material into the sublime. In Rettig’s hands, moldable synthetics and reflective acrylics become encapsulated sculptures implying kinetic movement if not actuating it. He has been drawn to the op and kinetic art movement since adolescence. "If I come to a fork in the road, my inclination is to continue going straight." An explorer of both geographic and psychological terrain, Rettig is most at home on a dirt path or body of water observing “familiar patterns that connect us as one, like source code.” Biomorphic shapes seen in Rettig’s work suggest sensual elements omnipresent in nature. How connected are we? “If it didn’t exist, if it didn’t resonate, we wouldn’t be here.” Inspiration: "When I was twelve I stepped into Jesus Soto...

Hunt Rettig is known for his analog 3D assemblages that produce the illusion of 2D, backlit, digital illustrations. Rettig’s process-based discipline is a continual quest to transform quotidian material into the sublime. In Rettig’s hands, moldable synthetics and reflective acrylics become encapsulated sculptures implying kinetic movement if not actuating it. He has been drawn to the op and kinetic art movement since adolescence. "If I come to a fork in the road, my inclination is to continue going straight." An explorer of both geographic and psychological terrain, Rettig is most at home on a dirt path or body of water observing “familiar patterns that connect us as one, like source code.” Biomorphic shapes seen in Rettig’s work suggest sensual elements omnipresent in nature. How connected are we? “If it didn’t exist, if it didn’t resonate, we wouldn’t be here.” Inspiration: "When I was twelve I stepped into Jesus Soto...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...

1980 Lithograph in colors on Arches Cover paper Sheet: 10 1/2 x 9 in. Edition of 1000 Signed, dated and numbered in pencil, lower margin Framed, excellent condition

Jean Michel Basquiat, Paintings, Sculptures, Works on Paper and Drawings: A rare, well constructed and attractive color illustrated catalog co-published by Galerie Navarra, Paris, Lang & O'Hara Gallery, New York in 1989 to coincide with both gallery shows. Paperback. First edition. Wide paperbound quarto. 108 pp. Text in French and English. 11 3/8 x 9 7/8 / 29 x 25 cm. Minor surface bend in rear (visible from upfront only); in otherwise good to very good overall vintage condition. Texts by Demostènes Davvetas "J.-M. Basquiat - Chapters, lines and verses", by Annina Nosei, Alain Bonfand and Pierre Cornette de Saint Cyr. "Featured on the cover of Jean-Michel Basquiat’s Brother Sausage - one of the artist’s epic masterpieces. Presented like a cartoon strip, the painting is composed of six panels hinged together to form a narrative frieze of multiple drawings and Xeroxed overlays, laden with themes of racial inequality and prejudice, wealth and corporate greed in a frenetic fame-and consumer-obsessed Americana. The work is steeped in Basquiat’s signature...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extra...

This is an exclusive handprinted limited edition cyanotype. Exquisite landscape of a "Mystic Louisiana Marsh". Details: + Title: Mystic Louisiana Marsh + Year: 2021 + Edition Size:...

The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. Size of paper: ca 100 x 70 cm ( ca 39 x 20 inch) Dimensions of im...

The boat evokes a passage. The holding vessel and the deep waters symbolize our first crossing into birth and our last in the ship of death, "leading us back to the swaying, gliding ...

Original Vintage Poster, issued 1983 by the ETH in Zurich on the occasion of the exhibition of Alvar Aalto's architectural work that first was shown in Finland at the Museum of Finnish Architecture...

Two independently successful fine art photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl r...

Tiefeng Jiang Title: The Stone Forest Edition: 9/20 Super Low Edition! Medium: Serigraph on hand-made paper Measurement...