Paper Prints and Multiples

ABOUT THIS PIECE: This piece is part of the Candy Skies Collection. Utilizing digital collage and advanced editing techniques, Jessica configures the tones of her photographs to repr...

Heidler & Heeps B Side Vinyl Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. ...

ABOUT THIS PIECE: This piece is part of the Candy Skies Collection. Utilizing digital collage and advanced editing techniques, Jessica configures the tones of her photographs to repr...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

"Morph Dog Series: Morph Dog Fireworks Bouquet Vertical Variation" a giclée print of an original watercolor painting by David Barnett. The print is signed in the lower right by the a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a kid the ice cream truck was a nei...

The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...

Original vintage World War Two propaganda poster - New Zealand Fights - featuring a colourful bold design depicting a New Zealand soldier in uniform and wearing a helmet leaning on h...

Viktorija Pashuta "Smoking Lady" photography Original Fashion Photograph from the Series TRANSPARENT MIRRORS by an award-winning fashion photograph...

large scale art photography of an iconic glamorous American vignette Dealer by Frank Schott 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 67cm x 102cm editio...

Original vintage travel poster for Romantic Malaya (now Peninsular Malaysia and Singapore) featuring a stunning night time illustration of an idyllic sandy beach scene with a calm se...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

Dealer by Frank Schott 27 x 40 inches / 67cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival fine art pigment print signed & numbered by a...

Intriguing modern figurative print with fantastical animals and a nude female figure with a blue cast in the foreground by artist and printmaker Robert R. Mal...

This is a stunning modern, Limited Edition Multi Colored Serigraph/screen print by acclaimed master photographer Richard Scudder. The piece ships ready to hang and is signed by the a...

ABOUT THIS PIECE: Alberto practices high speed photography. He has mastered the balance of pouring varnish into water and using his high speed photography knowledge to capture the mo...

Stefan Szczesny is a contemporary painter and sculptor, who came to public attention in the early 80s as one of the protagonists of the "Neue Wilde".

Wave I by Christian Stoll 40 x 40 inches (102 x 102cm) edition of 25 signed 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 signed arch...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: French photographer Ludwig Favre recently traveled to Iceland. Favre is know for his soft Palette, interesting crops and large scale photographs. ABOUT THIS ARTIST...

mesmerizing large scale photographic capture of strikingly abstract water surface shimmering in soothing tones of cobalt, admiral, azur and lapis blue Wave I (Abstract) by Christian...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

ABOUT THIS PIECE: Gary Andrew Clarke is a digital artist and painter. He lives in Manchester, England. The central preoccupation of his work is one of creating simple flirtatious enc...

Original vintage sailing poster: Come to Britain for Yachting. Great scenic image of sailing boats on the water with hills in the background an...

ABOUT THIS PIECE: French artist Ludwig Favre traveled to California to shoot the state's most iconic landscape and architecture. ABOUT THIS ARTIST: Photographer Ludwig Favre was bor...

This image would pair well with Besler's "Caryophyllus Major" which is also listed. BASIL BESLER (1561 – 1629). Hortus Eystettensis. Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50....

Original vintage travel advertising poster for Danish Airlines - Det Danske Luftfartselskab (DDL). Great design featuring a lady passenger on a plane looking out of the cabin window ...

ABOUT THE PIECE: The Colorsafe paintings are an exploration of the use of color and pattern. They are constructed from 'vintage' catalogs of the late 1960s / early 70s, a particularl...

Original poster printed in silkscreen, created by Niki de Saint Phalle for the 18th Montreux Jazz Festival. Niki de Saint Phalle ( 1930 - 2002 ) is a French painter and sculptor fam...

This unique monoprint, from Badillo’s ‘War Period’ combines elements of colorful abstraction against a dark ground with cryptographic lettering across the top of the piece that inter...

Work on paper, oil and collage. Limited edition. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

TECHNICAL INFORMATION: Victor Vasarely Sinlag II 1990 Cast paper relief in colors 29 3/4 x 29 3/4 in. Edition of 120 Pencil Signed and Numbered Acc...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Sheet size 20 x 26.25 inches. Image size 19 x 23.25 inches. Frame size approx 27 x...