Maurice Réalier-Dumas

1896 original lithograph Pl. 23 Maîtres de l’Affiche - Incandescence par le gaz

1896

This refined lithograph by Georges de Feure was created in 1896 for the 5th exhibition of the Salon des Cent at 31 Rue Bonaparte in Paris, published as Plate 10 in the prestigious Le...

The 1896 original poster by Privat-Livemont for Absinthe Robette stands as one of the most iconic examples of the Art Nouveau movement and a testament to the golden age of advertising art. Included in the prestigious series Les Maîtres de l'Affiche as Plate 104, this poster epitomizes the elegance, fluidity, and ornamental style that defined turn-of-the-century commercial design. Designed by Privat-Livemont, a Belgian artist renowned for his contributions to Art Nouveau, the Absinthe Robette poster was created to advertise the popular absinthe drink of the late 19th century. Absinthe, often referred to as the "Green Fairy," was a fashionable and somewhat controversial beverage, celebrated for its intoxicating allure and inspiration among artists, writers, and bohemians of the period. Privat-Livemont was celebrated for his ability to combine decorative elegance with commercial purpose. His work for Absinthe Robette reflects the signature traits of Art Nouveau: graceful lines, flowing forms, and a harmonious blend of nature-inspired motifs. Posters like this were not merely advertisements but works of art in their own right, often displayed in cafes, bars, and public spaces, capturing the imagination of passersby. Les Maîtres de l'Affiche (The Masters of the Poster) was a renowned collection of lithographic works, published between 1895 and 1900, that brought together the finest poster art from the greatest artists of the time. Curated by Jules Chéret, the series highlighted the artistic mastery of advertising and included works by notable artists such as Toulouse-Lautrec, Alphonse Mucha, and Privat-Livemont. Plate 104, featuring Absinthe Robette, is a shining example of the beauty and sophistication celebrated within this series. The late 19th century saw posters emerge as a powerful medium for both art and commerce, revolutionizing the visual landscape of cities. In this golden era, artists like Privat-Livemont elevated the status of posters from functional advertisements to celebrated works of art. Through their ornate designs and expressive use of color and composition, these posters reflected the aesthetic and cultural trends of the time. Today, the Absinthe Robette poster remains an enduring symbol of the Art Nouveau movement and a treasured piece of history. As part of Les Maîtres de l'Affiche, it holds significant cultural and artistic value, appealing to collectors, historians, and admirers of vintage advertising art...

This original lithograph by Étienne Moreau-Nélaton was published in 1898 as Plate 198 in the renowned Les Maîtres de l’Affiche series. Titled Travailleurs de France, Apportez tous vo...

This elegant 1894 lithographic poster by Armand Rassenfosse was created to advertise the Grande Brasserie Van Velsen Frères, a Belgian brewery based in Bornhem. With its minimalist c...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 5.75 inches ( 21.59 x 14.605 cm ) Framed: No Condition: A: Mint Additional Details: First printing Litho...

Jules Chéret Lidia (Alcazar d'été), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 25 of "Les Maîtres de...

Emile BERCHMANS Renewal Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Modern...

Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...