Mike Kelley

Untitled

1999

Untitled 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 22 x 30 inches (55.9 x 76.2 cm), sheet 18 x 19.75 inches (45.7 x 50.2 cm), image This work ...

Daniella Dooling Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

Monotype Signed, dated, and inscribed "II" in pencil, recto This artwork is offered by ClampArt, located in New York City. Born in Okinawa, Japan, and raised in Knoxville, Tennesse...

Josh Smith Untitled 2018 Xerox print (Edition of 50 + 10 APs) 11 x 8.5 inches

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

Artist: Quinn, Marc Title: Untitled Series: Stardust Series Date: 2012 Medium: Mixed Media archival pigment print with paint and metallic dust Unframed Dimensions: 8.267" x 1...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...