More Prints

'NOMAD V (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminated by changing colours, and is part of Richard's street photography portfolio...

Red Dinosaur, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well rec...

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

Yellow Corridor Night, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and th...

Vintage Las Vegas set of three framed artworks from Richard Heeps Dream in Colour series. Featuring a classic yellow Cadillac on the Las Vegas Strip ...

'Under the boardwalk, down by the sea' - one of Richard's favourite songs by The Drifters, that this photo is not only named after, but really emulates. T...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...

New York, London, Hong Kong, Three Framed fine art Photographs by Richard Heeps, capturing his unique approach to cityscapes, all with a purple tonal palette. Featuring 'NOMAD V', taken in 2017 capturing iconic New York architecture printed from negative full frame with the Kodak film border. Featuring 'Brutalist Symphony II', taken in 2019 capturing iconic London architecture, The Barbican Estate, printed from negative with Richard's signature ragged edge. Featuring 'HK$1', from the Heidler and Heeps...

'Beach Ball', part of Richard Heeps 'Dream in Colour' Series, it captures Palm Springs mid-century modern architecture. The stillness and the c...

Space, Ibiza, The Balearic Islands. The neon sign of the iconic Ibiza super club Space, photographed during its final year of existence. The neon lights of bold graphic typography po...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 50/110 in pencil from the edition of 11...

Photographed at the Hot Rod Hayride in Surrey, UK, part of Richard Heeps' series 'Man's Ruin'. This religious icon, Jesus on a Cross, was meant to prot...

Rainbow Apartments, from Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has bec...

'RV in the Morning Sun' from Richard Heeps Dream in Colour series. This artwork brings about a romantic dream of living in an RV. Captured in the morning sun at the start of a beauti...

'Brutalist Symphony', photographed on London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous Brutalist l...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

'Telephone VI' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous colours of...

The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

Utopian Foyer from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Cordial Campari, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable A...

TABACCHI Sign, from Richard Heeps series A Short Series of Milan, part of Richard's portfolio of street photography he is building up which depict the colour, fabric and structure of...

Foyer III, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become...

A moody fenland sky is a backdrop to a classic British Fish & Chips Van. Part of Richard Heeps series, A View of the Fens from the Car with Wings. This artwork is a limited edition ...

Two individually framed artworks, Walthamstow Stadium Day and Night. London typography street photography by Richard Heeps. This historic iconic British neon sign has been captured ...

Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...

'Telephone V' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines a softened monochrome palette and a mid-century modern nostalgic v...

Part of Richard Heeps 'After the Gold Rush' Collection, taken in Ely, Nevada, you are not just looking at a filling station by the roadside, this is the original stagecoach station o...

Foyer VIII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has becom...

Foyer VII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become...

Part of Richard Heeps 'Dream in Colour' Series, with some seriously cool colours and pool vibes. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a ...

Part of Richard Heeps 'Man's Ruin' Series, on an American road trip he captured this customised classic American Car, the Plymouth Coupe in Pismo Beach, California. The sunlight is s...

A vintage rainbow parasol, poolside at the El Morocco Motel, Las Vegas, Nevada, overlooked by palm trees, blue skies and iconic neon signs. Part of Richard ...

Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...

Hitachi TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. A sense of nostalgia with seventies inspired mustard wallpaper as a retro kitsch backdrop f...

This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very differently today as there is less and less need for them. Like...

Part of Richard Heeps 'Dream in Colour' Series, here he perfectly captures Palm Springs mid-century modern architecture and the desert oasis it...

'NOMAD (Mosaic)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminat...

Part of Richard Heeps 'Man's Ruin' Series, this fun multi-colour picture has so many iconic nostalgic icons, from Marilyn Monroe, Elvis, vintage Cars & homeware and mid-century desig...

Rainbow Apartments, from Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has bec...

This cool picture has a classic Americana feel. Richard Heeps pictures beautifully capture parts of Las Vegas which are no longer there. This iconic 'Stardust' sign presented here al...

Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...

Part of Richard Heeps 'Man's Ruin' Series, this beautiful customised Classic American Car, against this Las Vegas themed facade is so stylish you would think it was staged, but it's ...

Marc Chagall (1887-1985) - He wrote in the Tables the wordes of the covenant, even the Ten Commandments Lithograph from 1966. The edition of 20 on Japanese paper. Dimensions of w...

Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...

Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/...

Artist: Marc Chagall Title: Sarah and the Angels Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8"...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall (1887-1985) - Poèmes, Planche XXI Collage, woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43.2 cm ...

Sun Lounger, photograph from Richard Heeps, 'Dream in Colour' series. This cooling Palm Springs, California artwork is the perfect way to bring summer vibes into your home all year ...

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XLI Lithograph from 1961. Dimensions of work: 43 x 66 cm. Enhanced with gouache. Examined and identified by a French gallery ...

Marc Chagall (1887-1985) - Poèmes, Planche II (trial proof) Woodcut print from 1968. Double-sided (front-verso) trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimen...

Hommage à San Lazzaro is a lithograph realized by Marc Chagall for the Art Revew "XXème Siècle". This original print (not signed and not numbered) comes from the portfolio Hommage à...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Steps, minimalist California summer vibes in this blue cinematic photograph from Richard Heeps 'Dream in Colour' Series. This artwork is a limited edition of 25, gloss photographic ...