More Prints

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, over...

Aquatint etching on paper (Edition of 75) Signed and numbered in pencil, l.r. This artwork is offered by ClampArt, located in New York City. Born in Naples, Italy, Francesco Clemen...

Chromogenic print (Edition of 80) Signed, dated, and numbered in black ink, verso This artwork is offered by ClampArt, located in New York City. Jack Pierson was born in 1960 in Plymouth, Massachusetts, and educated at the Massachusetts College of Art in Boston. Pierson's work spans an array of media, including photographs, collages, word sculptures, installations, drawings, and artist's books. He is considered to be part of a group of photographers known as the Boston School, which includes David Armstrong, Philip-Lorca diCorcia, Nan Goldin, Mark Morrisroe, and Doug and Mike Starn...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

40-color silkscreen on Zerkall Litho paper (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachu...

Silkscreen on Zerkall Litho paper (Edition of 15 variations) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massac...

Cibachrome print face-mounted to Plexiglas Inscribed "Griechenland" in pencil, verso Provenance: Jay Gorney Gallery, New York Private collection, 1990 Private collection, 2005 This...

Toned gelatin silver print Signed, dated, and numbered in pencil, recto 11 x 11 inches, image This artwork is offered by ClampArt, located in New York City.

In this offset poster, printed in collaboration with the Lower East Side literary magazine, "Between C & D," David Wojnarowicz confronts and denounces violence against members of the LGBT community. Cynthia Carr discusses this poster in her biography, "Fire in the Belly: The Life and Times of David Wojnarowicz." She relates the episode of when Wojnarowicz became estranged from collaborator Marion Scemama during the production of this piece and inked out her name on the copies of the poster in his possession. This is a copy from his estate. Between C & D (1983–1990) was a Lower East Side quarterly literary magazine edited by Joel Rose and Carherine Texier. Though a geographical reference to the blocks between Avenue C and Avenue D in New York City's East Village neighborhood, “Between C & D” has also been suggested to mean “between coke and dope,” giving an indication of the publication's transgressive content and ethos. The magazine's actual tagline was “Sex. Drugs. Danger. Violence. Computers.” It was printed on fanfold computer paper, sold in a plastic bag, and featured original artwork on each binding. Contributors included Kathy Acker, Dennis Cooper, Gary Indiana, Tama Janowitz...

Color woodblock print Signed and numbered in pencil, recto 28.5 x 26.5 inches, sheet 23.75 x 22.5 inches, image This artwork is offered by ClampArt, located in New York City.

C-print collage Signed on label, verso This artwork is offered by ClampArt, located in New York City.

Dimensions : Image 9 7/8” x 7 7/8”, Paper 19” x 15” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 11/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...

Alexander Kosolapov Malevich, 1990 silkscreen on paper 22x30 inches Edition of 100 signed and numbered

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Champagne, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

A familiar and iconic motif by the artist, this color woodcut was created by Jim Dine in 1996, is hand-signed in pencil and numbered. Measuring 26 1/8 x 19 ½ inches (66.4 x 49.5 cm...

A color intaglio created by the artist in 2012, this original etching is hand-signed, dated and numbered in pencil, measures 21 x 16 in. (53.3 x 40.6 cm), unframed and is from the ed...

Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. The artist created PS III -...

This iconic lithograph in colors with cold stamping and high gloss varnish was created in 2011 by Takashi Murakami. Hand-signed in ink, numbered and ...

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This offset lithograph in colors with cold-stamping was created in 2013. From the hand-signed and numbered edition of 300 measuring 19 3/4 x 19 3/4 in. (50 x 50 cm.), unframed.

A fun and familiar image created by Keith Haring as an original lithograph in colors in 1988, International Volunteer Day was commissioned by the United Nations on its 40th anniversa...