More Prints

Faciamus Hominem is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signe...

Invasion de l'espace is a vintage print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the Fr...

Orphée is an original artwork realized by Jeanne Esmein in 1967. Serigraph on paper. Hand-signed and dated in pencil by the artist on the lower right. Titled and numbered in pencil...

Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

Oblatio Munda is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed a...

Japan Poster is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and n...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The letters on the background reflect up into t...

Ugolino is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realiz...

The Shine of Bodies - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited ...

Artist's Proof, Hand signed. Edition of 50 prints. Image Dimensions : 42 x 55 cm Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork ...

Charon is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realize...

Betrayers of their Hosts - Hell 33 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limi...

De Petra Exivit Aqua is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani b...

Filius Prodigus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

Susannae Pulchritudo  is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

The Family of Mattathias is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969...

Cadaver in sepulchro Elisei is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

The Blood of the New Covenant is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and...

The Alchemist - A Fable Suite Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 11 x 14 inches Size: 2...

Mane, Thecel, Phares is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. S...

Gloria vultus Moysi is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

Staghound Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 27 x 22 in. (68.58 x 55.88 cm)

Adveniat Regnuum Tuum is a lithograph from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1964. Signed and dated "1964" on plate on the lower left margin. In excellent condition. Reference: R. Michel, L. W. Löpsinger, Dalì, Catalogue Raisonné of Prints II, Lithographs and Wood engravings, 1956-1980, p. 180, n. 1599. Pater Noster is a beautiful artists' book illustrated by the oldest and mystic Salvador Dalí. Nine colored plates protected by Japanese paper represent the verses of the Lord's Prayer. The pages of a 14th-century missal reproduce a Pater Noster in Gregorian chant...

V Intro. 1982. Paper, linocut, 25x31 cm imprint size 20x20 cm total page size 25x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

Hand signed and numbered. Edition of 220 prints. Published by Guilde de la Gravure, Geneva and Paris. Ref. Cat. Brusberg n. 76. Very good conditions.

Friendly Totems Douglas Mazonowicz, British (1920–2001) Date: circa 1981 Screenprint, signed and numbered in pencil Edition of 134/275 Image Size: 23.5 x 18 inches Size: 29 x 23.25 i...

Gilded Gears is an exquisite portrayal of steampunk interior architecture, where vintage opulence intertwines seamlessly with the mechanized essence of an era gone by. The canvas rev...

Adveniat Regnuum Tuum is an original lithograph by Salvador Dalí (1904 – 1989), from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1964. Signed and dated "1964" on plate on the lower left margin. In excellent conditions. Reference: R. Michel, L. W. Löpsinger, Dalì, Catalogue Raisonné of Prints II, Lithographs and Wood engravings, 1956-1980, p. 180, n. 1599. Pater Noster is a beautiful artists' book illustrated by the oldest and mystic Salvador Dalí. Nine colored plates protected by Japanese paper represent the verses of the Lord's Prayer. The pages of a 14th-century missal reproduce a Pater Noster in Gregorian chant...

Ethereal Harmony captivates the senses with its symphonic blend of otherworldly elements. The canvas portrays a delicate dance of unity, where harmonious forms intertwine in sublime ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

The Hell of Cruel Beauties is a contemporary artwork realized in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed an...

This artwork "Cityscape" c.1990 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 24/350 in black ink by the artist. The artwork size is 9.35 x 11.15 inches, framed size is 19.75 x 21.75 inches. Custom framed in a gold and silver frame, with off white matting. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...

Rendered against a deep teal background, Tighe O'Donoghue's depiction of a moon with a rose superimposed over it is accompanied by a mathematical diagram...

Tighe O'Donoghue's detailed depiction of a flower is highly reminiscent of anatomical drawings and mathematical studies due to the careful linework, detailed shading, and soft colors...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Fans Amos Yaskil Israeli (1935) Date: 1980 Screenprint, signed and numbered in pencil Edition of 375 Image Size: 20 x 14.5 inches Size: 26 in. x 19.5 in. (66.04 cm x 49.53 cm)

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you ca...

Abstract Composition is an original colored lithograph realized in the half of XX century. The artwork is hand signed on the lower right margin. Numbered on the lower left. Edition...

Roberto Matta, Chilean (1911 - 2002) - Raising A Glass, Year: circa 1943, Medium: Etching, Image Size: 9.75 x 8 inches, Size: 15 x 11.75 in. (38.1 x 29.85 cm), Reference: Unrecorde...

A Puzzle Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 95 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Shah Mat Suite - Duncan Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of V Size: 22 in. x 15 in. (55.88 cm x 38.1 cm)

Ex Libris Bosznay Karoly is an original Modern Artwork realized in the early 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total di...

Ruth Zachary (American/Michigan) Signed: Ruth Zachary (Lower, Right) " Earth Woman ", circa 1970s Etching in Colors Numbered: 28/30 Plate Size: 11 1/2" x 8 3/4" Overall Size: 2...

Reconstruction is a beautiful print on canvas of a digital collage realized in 2022 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed a...

Surrealist Composition 3 is a vintage collotype print realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) wa...

Oriental West The work aims to represent the fusion and, at the same time, the contrast with the lifestyle of two worlds: on the one hand, the West with its own lifestyle and, on the...

MMXX - is a beautiful print on canvas of a digital collage realized in 2020 by the Italian artist Chiara Santoro Edition of 10. Hand-signed and numbered. Modern collage

Delivery City is a beautiful print on canvas of a digital collage realized in 2021 by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. Isolation as it do...

Won is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. This...

Surrealist Studio is an original collotype print realized after André Masson. The artwork is in good conditions, no signature on a yellowed paper. André Masson (1896-1987) was a Fr...

This incredibly detailed print by Tighe O'Donoghue is a fine example of the artist's mathematically-influenced work based in Magical Realism. Incorporating elements of industrialism ...

Tighe O'Donoghue's intricate portrayal of a tiled Classical Greco-Roman garden framed by traditional buildings with collonades. Across the cloudy sky, bearded spirits watch over the ...

Roberto Matta, Chilean (1911 - 2002) - Max Clarac-Serou vous presente ses meilleurs voeux, Year: 1960, Medium: Etching on laid paper, signed and numbered in pencil, Edition: 7/50, ...

Atlantique Du Nord Tighe O’Donoghue, American (1942–2023) Date: Circa 1980 Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 18 x 15 inches Size: 30 x 2...

Surrealist Composition is an original collotype print realized after a drawing by André Masson. The artwork is in good conditions, no signature on a yellowed paper. André Masson (1...

A Dialect of Paradise Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Visit our other items to see a large selection of views of Oxford and Cambridge. Michael Drayton (1563-1631) Map of Cambridge and the Isle of Ely (1...

This dynamic composition by Tighe O'Donaghue incoroporates a series of musical notes and meteors alongside animal motifs and musical instruments that adorn the stern of a sailed ship...