CB Hoyo

Yes You Could Have Also Made This But You Didn't

2021

Marina Abramović Unconditional Love, 2024 Hand signed COA Two colour screenprint 8 1/4 x 10 5/8 in 21 x 27 cm Published by CIRCA in 2024. Produced in a Time Limited Edition of 4,152.

Digital print on Fuji Crystal Archive Matte paper 11 3/4 x 11 3/4 in 30 x 30 cm Edition of 300

Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never f...

Giclée print on archival Canson Mi-Teinte paper 18.90 x 12.99 in (48.0 x 33.0 cm) From a limited edition of 250. This work is numbered by the artist in pencil (on recto) and signe...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displaye...

Erté Tiger Lily (Autumn) c. 1970s Serigraph on silk scarf Plate-signed. Dry-mounted with hand-rolled hem visible

Mini Summer Treats Triptych by Gavin Dobson Consists of Mini 99 Reasons Mini Cornetto Mini Rocket Each piece is individually £60 Each piece is individually H21cm x W14.8cm x D0.2c...

Yaacov Agam, Silkscreen, Colored work, International artist, Israeli artist, Israeli art. Yaacov Agam’s polymorph is a unique example of geometric and kinetic art that changes as the...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50...

Series - Market in Provence by Lélia Pissarro (B. 1963) Serigraph Image Size: 38 x 48 cm (15 x 19 inches) Sheet Size: 48 x 59 cm (18 ⅞ x 23 ¼ inches) Signed and numbered Printed in an edition of 300 SOLD UNFRAMED Literature Lélia Pissarro, The Colours of Silence, London, 2010, p. 205 (illustrated) Artist's Biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia...

Nicholas Krushenick 's "North End" is a color silkscreen pencil signed, dated, and editioned; proof from the published edition of 200, . Nicholas Krushenick (American, 1929 – 1999) ...