Jenny HolzerTorture Is Barbaric -- Print, Postcards, Text Art, Truisms by Jenny Holzerafter 1994
after 1994
About the Item
- Creator:Jenny Holzer (1950, American)
- Creation Year:after 1994
- Dimensions:Height: 3.55 in (9 cm)Width: 5.52 in (14 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU80915444342
Jenny Holzer
Known for taking art out of the traditional “white cube” of galleries and museums and onto the streets, Jenny Holzer is one of the most potent feminist Neo-Conceptual artists of the 20th century. Her most iconic work critiques the information age and consumerism by reclaiming its primary media — conventional print billboards, storefront posters and LED signs.
“I used language because I wanted to offer content that people — not necessarily art people — could understand,” the Ohio-born Holzer told Interview magazine. She received her MFA in painting from Rhode Island School of Design, where her work was influenced by Abstract Expressionism. It was while in the Independent Study Program at the Whitney Museum of American Art that Holzer became inspired to work at the intersection of public art and language.
In the late 1970s, after becoming an active participant in the downtown Manhattan artist collective Colab, which included Tom Otterness and Christy Rupp, Holzer began to create her legendary “Truisms” series. Printing anonymous one-line aphorisms in bold and italicized text on broadsheets, she pasted them up in public spaces all over New York City. The “Truisms” are provocative in questioning how we receive and process information. The work elicits debate and represents a range of perspectives. In an era that saw the rise of street art and graffiti, Holzer’s pithy word art would also find viewers by way of T-shirts, stickers and park benches, into which her slogans were carved.
Holzer’s more combative “Inflammatory Essays” (1979–82) took the form of mass-produced posters on colored paper — each featuring paragraphs as compared to the punch-line structure of “Truisms.” These touched on subjects such as violence, misogyny, power structures and consumerism, all of which have continued to be central in her work.
Starting in 1982 as part of a Public Art Fund project, Holzer projected “Protect me from what I want” and other “Truisms” on the Spectacolor board, a large computerized light signboard in New York City’s Times Square. Her “Abuse of power comes as no surprise,” which has appeared on T-shirts as part of the series, has taken on new life in an increasingly politically divided America.
Just as it did in the 1970s, the forcefulness of her work continues to make both viewers and the art world stop and pay attention. She has had solo exhibitions at the Brooklyn Museum, the Solomon R. Guggenheim Museum, the Tate Modern in London and elsewhere. She has also created permanent installations including the New York City AIDS Memorial. A 2014 show at New York’s Cheim & Read featured oil-on-linen canvases based on declassified government files pertaining to detainees from the Iraq and Afghanistan wars.
Find Jenny Holzer prints and sculptures on 1stDibs.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Painting -- Screen Print, Still Life, Pop Art by Michael Craig-MartinBy Michael Craig-MartinLocated in London, GBPainting, 1999 Michael Craig-Martin Screenprint in colours, on wove Signed, dated and numbered from the edition of 50 in Roman numerals Published by Alan Cristea Gallery, London She...Category
1990s Pop Art More Prints
MaterialsScreen
- Cover for a Journal -- Print, Pattern, Stripes, Pop Art by Eduardo PaolozziBy Eduardo PaolozziLocated in London, GBCover for a Journal, 1967 Eduardo Paolozzi Screenprint printed in gold, yellow,magenta, cyan, on wove Signed and numbered from the edition of 500 From Moonstrips Empire News Printed...Category
1960s Pop Art More Prints
MaterialsScreen
- High Life -- Screen Print, Stripes, Patterns, Pop Art by Eduardo PaolozziBy Eduardo PaolozziLocated in London, GBHigh Life, 1967 Eduardo Paolozzi Screenprint in black, cyan, red and yellow, on wove Signed and numbered from the edition of 500 From Moonstrips Empire News Printed at Kelpra Studio...Category
1960s Pop Art More Prints
MaterialsScreen
- High Life -- Screen Print, Stripes, Patterns, Pop Art by Eduardo PaolozziBy Eduardo PaolozziLocated in London, GBHigh Life, 1967 Eduardo Paolozzi Screenprint in black, cyan, red and yellow, on wove Signed and numbered from the edition of 500 From Moonstrips Empire News Printed at Kelpra Studio...Category
1960s Pop Art More Prints
MaterialsScreen
- W -- Screenprint, Letter, Text, Alphabet, Pop Art by Michael Craig-MartinBy Michael Craig-MartinLocated in London, GBW, 2007 Michael Craig-Martin Screenprint in colours, on wove paper Signed and numbered from the edition of 40 verso From Alphabet Published by Alan Cristea Gallery, London Sheet: 61...Category
Early 2000s Pop Art More Prints
MaterialsScreen
- Montreux Jazz Festival -- Screen Print, Pop Shop by Keith HaringBy Keith HaringLocated in London, GBMontreux Jazz Festival, 1983 Keith Haring Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100 × 70 cm...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- Growing IBy Keith HaringLocated in Hollywood, FLArtist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...Category
1980s Pop Art More Prints
MaterialsScreen
- Reflections on MinervaBy Roy LichtensteinLocated in Philadelphia, PARoy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...Category
1990s Pop Art More Prints
MaterialsLithograph, Screen
- Reflections on HairBy Roy LichtensteinLocated in Washington, DCArtist: Roy Lichtenstein Title: Reflections on Hair Portfolio: Reflections Medium: Lithograph, screenprint, relief and metalized PVC collage with embossing on mold-made Somerset pape...Category
1990s Pop Art Portrait Prints
MaterialsPVC, Lithograph, Screen
- THE BOOK OF LOVE SUITEBy Robert IndianaLocated in Aventura, FLComplete set of 12 screen prints and accompanying 12 poems. Published by American Image Editions, New York. Includes original brown paper-covered portfolio and publisher insert. Each screen print measures 26 x 21 inches. Each screen print is hand signed, dated, numbered by Robert Indiana. Roman numeral edition XLII/L (there were also a main edition of 200 and 50 artist's proofs), Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...Category
1990s Pop Art Figurative Prints
MaterialsPaper, Screen
- The Red Boots on a Black Ground, 1968 ORIGINAL SERIGRAPHBy Jim DineLocated in Brooklyn, NY"The Red Boots on a Black Ground, 1968" by Jim Dine This silkscreen print was created in 1968 by Multiples for a 1969 calendar featuring twelve major Pop artists. It is a small edit...Category
1960s Pop Art Prints and Multiples
MaterialsScreen
- Four Seasons of Hope (Silver) - HOPE, Four Seasons, vivid colors, silverBy Robert IndianaLocated in Köln, DEThis portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...Category
2010s Pop Art More Prints
MaterialsScreen